Preview: Brody Dalle/Bottom Lounge

Brody DalleRECOMMENDED

Brody Dalle’s triumphant return to rock has been a long time coming. The former Distillers frontwoman has been in and out of the public eye for years with musical projects since the band’s 2006 break up, including Spinnerette, a one-shot collaboration with former bandmate Tony Bevilacqua and Alain Johannes (Queens of The Stone Age/Eleven). While the songs on “Spinnerette” boasted some catchy hooks, there wasn’t much that stood out about it either. But with her impressive solo release “Diploid Love,” we hear a musical range that hadn’t been fully explored in Dalle’s previous bands. Continue reading

Record Review: “Sketches of Spain [Revisited]” by Orbert Davis’ Chicago Jazz Philharmonic Chamber Ensemble

RECOMMENDEDChicago Jazz Phil Cover

“Sketches of Spain” is a masterful collaboration by Miles Davis and Gil Evans that has been deconstructed, imitated and recreated by countless musicians over the years, but few have had the audacity to create a new adaptation that would include new material arranged for a philharmonic orchestra. But Chicago-born trumpeter, composer and arranger Orbert Davis (no relation to Miles) stepped up to the plate with a fantastic take on the classic.

The album begins with a seventeen-minute version of “Concierto de Aranjuez” that is faithful to Evans’ original arrangement but completely revisited for an orchestra format. The bandleader performs an accomplished solo that does not copy Miles Davis’ take but retains many of its sonic elements. Continue reading

Preview: Rebirth Brass Band/SPACE

Photo: Jeffrey Dupuis

Photo: Jeffrey Dupuis

RECOMMENDED

Even those who aren’t typically into New Orleans jazz or brass band music will invariably swivel their hips when introduced to the Rebirth Brass Band. The band’s blend of brass, jazz, contemporary r&b and hip-hop have made them a staple of the New Orleans music scene for three decades and, after a stint on HBO’s love letter to NOLA “Treme,” a crossover hit with fans around the world. Continue reading

Fierce and Fed Up: Hardcore Punks Find A Home

Aye Nako photo by Robert Pluma

Aye Nako/Photo: Robert Pluma

Fed Up Fest, taking place July 25-27, is a new addition this year to the packed Chicago summer music festival scene. In the tradition of fests like Olympia, Washington’s Homo-a-go-go, Fed Up Fest seeks to highlight the contributions of LGBTQ musicians to DIY music, though where Homo-a-go-go covered a wide range of styles under the DIY umbrella, Fed Up Fest focuses on hardcore and punk. Conscious of the problem in LGBTQ spaces of the ‘silent T,’ where transgender community members get name-checked but can often be marginalized, the organizers of Fed Up Fest particularly wish to highlight bands from across the country featuring trans folks—especially trans women. Bands on this year’s lineup include: Continue reading

Parting Thoughts: Pitchfork Music Festival 2014

Photo: Robert Loerzel

Photo: Robert Loerzel

By Keidra Chaney

Coming into Pitchfork I could count the number of acts I had real enthusiasm for. However, by the end of the weekend, I had downloaded albums by two acts I hadn’t listened to before (Ka and Factory Floor) and was interested in following up on quite a few more. Pitchfork has finally motivated me to reconsider Deafheaven, which is a major feat in itself. Of the Chicago-based music fests, I think Pitchfork is definitely the best curated, with a great balance of established acts, nostalgia acts and buzz bands. Continue reading