Though a longtime resident of the East Coast, saxophonist, professor and bandleader Miguel Zenón never quite let go of the rhythms of his native Puerto Rico, and often incorporates their sounds from a contemporary jazz point of view. Over a decade working as a bandleader (he has done side work with the likes of Edsel Gomez, Brian Lynch and Edmar Castañeda) with his quartet, he has explored and experimented with various rhythms and grooves and developed them as a fodder for free improvisation. Read the rest of this entry »
As one of the few Latin-bred rock bands to make it into the mainstream rock scene, the three siblings of this power trio sure have made strides. On one of their first major tours, they teamed up with legendary Mexican-American band Los Lobos—with bassist Jojo Garza pulling double duty by performing in both bands, who would come together at the end of every set for an extended jam. Read the rest of this entry »
The first time I saw Lila Downs was about a decade ago, when she was participating in a Latin American-themed evening and she shared the bill with a Brazilian singer. She was still riding the wave of exposure brought on by her participation in the 2002 movie “Frida,” in which she played an unnamed singer whose tunes wove key elements of the plot together up to the very end, when she was joined by Brazilian singer Caetano Veloso for the Academy Award-nominated “Burn It Blue.”
On that show, she came on stage playing a two-sided drum that set the pace for the set, which exuded energy from beginning to end, and I was hooked. Her strong voice and charisma on stage had me from the first song, and I have been following her music ever since. During her sets, she always celebrates her heritage, often including songs in regional Mexican dialects alongside original and traditional Mexican tunes. Read the rest of this entry »
On her current tour, New York-born Brazilian singer-songwriter Bebel Gilberto is going in a completely different direction. Instead of playing familiar hits and a few new tunes, she is doing the opposite: most of the tunes on her recent sets have included tunes from “Tudo,” an album that has yet to hit stores as of this writing. Read the rest of this entry »
“The music, history, food and culture of Brazil and New Orleans have so much in common that it just seems logical to put them together,” writes keyboardist Charlie Dennard on the liner notes for the independently released “From Brazil to New Orleans.” The same has been said by various Crescent City musicians I have interviewed over the years, because the liveliness and musicality of cities like Rio de Janeiro and Salvador makes them feel right at home. Read the rest of this entry »
Among Brazilian composers recognized internationally, you could certainly say that Antônio Carlos Jobim compares to none other so far—he is one of the few whose body of work is just as respected as that of Gershwin or Harold Arlen. However, few contemporary fans know his work beyond “The Girl From Ipanema,” “Corcovado (Quiet Nights of Quiet Stars),” “Desafinado” or maybe “Waters of March” simply because his other songs have been absent from jazz songbooks of late. Read the rest of this entry »
Alt-Rock, Bossa Nova, Dance Pop, Indie Pop, Latin, Pop, Psychedelic, Record Reviews, Reggae, Rock, World Music
On their third release, the Vancouver-based trio formed by vocalist Silvana Kane, guitarist/producer Adam Popowitz and bassist Toby Peter seem to be taking the music into a deeper, more psychedelic direction without completely losing touch with their Latin, Middle Eastern and electronic roots. The songs are still framed by near-whispered vocals and nylon-guitar-framed textures alongside multi-tracked instruments and vocals sung mostly in Spanish, but the trio seems to have found a more organic approach to their sound. Read the rest of this entry »
What happens when you get an MBA in international business with the objective of working for a major financial corporation? Do you leave it all behind to pursue the uncertainty of a musical career instead? This is precisely what happened to Canadian singer Amanda Martinez; she was bitten by the music bug after passing an audition in a small jazz club in her native country–and she has not looked back since.
Since then, she has recorded three albums and was a featured performer during the 2010 FIFA World Cup in South Africa–where her mother was born. Martinez’s music is very Latin-influenced, as heard on “Mañana,” her third album, and the first to be released in the United States. Read the rest of this entry »
Afro-Cuban, Alt-Rock, Bossa Nova, Cumbia, Forró, Hip-Hop, Latin, Merengue, Pop, Record Reviews, Rock, Samba, Tropicalismo/Tropicália, World Music
On his most diverse release to date, Uruguayan singer-songwriter Jorge Drexler—best known Stateside for being the sole composer to date to win an Oscar for a non-English song—goes into various musical styles to convey his message. The title song mixes electronic and folk elements with a syncopated beat and a catchy chorus, while “Bolivia” blends forró and cumbia. A berimbau (a Brazilian instrument commonly used in capoeira meets) leads the beat.
Legendary Brazilian singer Caetano Veloso makes a cameo appearance toward two verses in Spanish with a melody that goes against the song’s entire form. “La Luna de Rasquí” is an upbeat tune with Afro-Caribbean elements that is sure to get you moving. “Universos Paralelos” is arguably the most inventive track–it begins with an easygoing samba-like feel and the vocals of Chilean rapper Ana Tijoux (who seems to be all over Latin pop lately) comes almost out of nowhere to give her bit on the topic of star-crossed lovers. Read the rest of this entry »
When you think about Celtic music, you probably think of someone from the Scottish Highlands, Ireland or maybe France, but you will definitely change your mind when you hear the sounds of this talented musician from Galicia, Spain who has collaborated with the likes of The Chieftains (he was considered their “seventh member” when he worked with them), Sinéad O’Connor, Mexican-American band Los Lobos and Ry Cooder, to name a few.
Carlos Núñez is a virtuoso of the gaita, which is the Galician version of the bagpipes (another take on the instrument is also widely used by folk musicians in Italy). His style could be described as a blend of flamenco, Spanish folk, jazz and Celtic music with a contemporary, almost pop-like feel. His band’s arrangements are highly percussive and include instruments not commonly associated with Celtic music, such as Spanish guitars, electric bass, horns and Latin drums.
In a live format Núñez has fantastic energy and creativity with his improvised licks. He plays his gaita with the demeanor of a rock guitarist–which is probably why some of his fans have nicknamed him “the Hendrix of the bagpipes.” His band, which is rounded out by Stephanie Cadman (fiddle, step-dancing, vocals), Pancho Alvarez (medieval guitar) and Xurxo Nuñez (percussion), has great chemistry together. This is definitely something to discover if you haven’t yet done so. (Ernest Barteldes)
February 12 at Old Town School of Folk Music, 4544 North Lincoln, (773)728-6000. 8pm, $10 suggested donation.