By Ernest Barteldes
Though not quite a household name for American audiences, Anna Maria Jopek (pronounced YO-pek) is one of the most prolific and eclectic performers in adult contemporary Polish music. From her début album “Ale Jestem” (Universal, 1997), she has explored various musical nuances, going from classical Polish to jazz and various genres in between, including Brazilian, Portuguese and even a recent incursion into Asian sounds via her collaboration with Japanese pianist Makoto Ozone on the 2011 self-produced album “Haiku,” which could be described as a sonic blend between Polish and Japanese musical sensibilities.
Over her decade and a half career, she has worked with many well-known musicians including Branford Marsalis, bassists Christian McBride and Richard Bona, Ivan Lins and late bossa nova pioneer Oscar Castro-Neves. “Upojenie” (Nonesuch, 2008) recorded with Pat Metheny and her sole album available in the US market, is arguably one of her best works yet—a combination of original material and reimagined Metheny tunes with Polish-language lyrics specially written for the project. Read the rest of this entry »
Chilean rapper Ana Tijoux has been quite busy of late—just in 2014 she collaborated with the likes of Julieta Venegas, Oscar-winner Jorge Drexler and many others while embarking on a massive tour that included stops at Millennium Park and the Latin Alternative Music Conference in New York. Her sound blends North and Latin American influences—she has a solid band that includes guitars, percussion, keys and drums. In addition, her backup singers are also skilled MCs who have the chops to share many of the tunes, freestyling whenever there is space to do so. Read the rest of this entry »
Though a longtime resident of the East Coast, saxophonist, professor and bandleader Miguel Zenón never quite let go of the rhythms of his native Puerto Rico, and often incorporates their sounds from a contemporary jazz point of view. Over a decade working as a bandleader (he has done side work with the likes of Edsel Gomez, Brian Lynch and Edmar Castañeda) with his quartet, he has explored and experimented with various rhythms and grooves and developed them as a fodder for free improvisation. Read the rest of this entry »
As one of the few Latin-bred rock bands to make it into the mainstream rock scene, the three siblings of this power trio sure have made strides. On one of their first major tours, they teamed up with legendary Mexican-American band Los Lobos—with bassist Jojo Garza pulling double duty by performing in both bands, who would come together at the end of every set for an extended jam. Read the rest of this entry »
The first time I saw Lila Downs was about a decade ago, when she was participating in a Latin American-themed evening and she shared the bill with a Brazilian singer. She was still riding the wave of exposure brought on by her participation in the 2002 movie “Frida,” in which she played an unnamed singer whose tunes wove key elements of the plot together up to the very end, when she was joined by Brazilian singer Caetano Veloso for the Academy Award-nominated “Burn It Blue.”
On that show, she came on stage playing a two-sided drum that set the pace for the set, which exuded energy from beginning to end, and I was hooked. Her strong voice and charisma on stage had me from the first song, and I have been following her music ever since. During her sets, she always celebrates her heritage, often including songs in regional Mexican dialects alongside original and traditional Mexican tunes. Read the rest of this entry »
On her current tour, New York-born Brazilian singer-songwriter Bebel Gilberto is going in a completely different direction. Instead of playing familiar hits and a few new tunes, she is doing the opposite: most of the tunes on her recent sets have included tunes from “Tudo,” an album that has yet to hit stores as of this writing. Read the rest of this entry »
“The music, history, food and culture of Brazil and New Orleans have so much in common that it just seems logical to put them together,” writes keyboardist Charlie Dennard on the liner notes for the independently released “From Brazil to New Orleans.” The same has been said by various Crescent City musicians I have interviewed over the years, because the liveliness and musicality of cities like Rio de Janeiro and Salvador makes them feel right at home. Read the rest of this entry »
Among Brazilian composers recognized internationally, you could certainly say that Antônio Carlos Jobim compares to none other so far—he is one of the few whose body of work is just as respected as that of Gershwin or Harold Arlen. However, few contemporary fans know his work beyond “The Girl From Ipanema,” “Corcovado (Quiet Nights of Quiet Stars),” “Desafinado” or maybe “Waters of March” simply because his other songs have been absent from jazz songbooks of late. Read the rest of this entry »
Alt-Rock, Bossa Nova, Dance Pop, Indie Pop, Latin, Pop, Psychedelic, Record Reviews, Reggae, Rock, World Music
On their third release, the Vancouver-based trio formed by vocalist Silvana Kane, guitarist/producer Adam Popowitz and bassist Toby Peter seem to be taking the music into a deeper, more psychedelic direction without completely losing touch with their Latin, Middle Eastern and electronic roots. The songs are still framed by near-whispered vocals and nylon-guitar-framed textures alongside multi-tracked instruments and vocals sung mostly in Spanish, but the trio seems to have found a more organic approach to their sound. Read the rest of this entry »
What happens when you get an MBA in international business with the objective of working for a major financial corporation? Do you leave it all behind to pursue the uncertainty of a musical career instead? This is precisely what happened to Canadian singer Amanda Martinez; she was bitten by the music bug after passing an audition in a small jazz club in her native country–and she has not looked back since.
Since then, she has recorded three albums and was a featured performer during the 2010 FIFA World Cup in South Africa–where her mother was born. Martinez’s music is very Latin-influenced, as heard on “Mañana,” her third album, and the first to be released in the United States. Read the rest of this entry »