Reviews, profiles and news about music in Chicago

Preview: Pomplamoose/Lincoln Hall

Pop No Comments »

pomplamoose

RECOMMENDED

San Francisco multi-instrumental duo Pomplamoose is an acquired taste, depending on your interest in adorable lo-fi jazz-pop. They’re best known for their YouTube series where they do inventive, split-screen covers and mashups of the latest pop hits (ex. Nicki Minaj’s “Superbass” and Meghan Trainor’s “All About That Bass”) and for their earworm holiday commercials for Hyundai back in 2010. Read the rest of this entry »

Preview: Steely Dan/The Venue at Horseshoe Casino

Pop, Rock No Comments »

Steely DanRECOMMENDED

“Dad Rock” doesn’t feel like a compliment until the label’s slapped onto Steely Dan. When your adolescent flame flickers off as you get a real job, pay real rent and all, your brain becomes more rational. And it tells you this, in its new wisdom: you’ve been taking Steely Dan for granted, all along. Pops in his gaudy sweatpants shimmying along to their borderline-muzaky tones gave them a bad look, but only until you were smart enough to know what’s really cool. Read the rest of this entry »

Preview: Los Lonely Boys/Thalia Hall

Alt-Rock, Latin, Pop, Rock, Tejano, World Music No Comments »

loslonelyboys_photo1RECOMMENDED

As one of the few Latin-bred rock bands to make it into the mainstream rock scene, the three siblings of this power trio sure have made strides. On one of their first major tours, they teamed up with legendary Mexican-American band Los Lobos—with bassist Jojo Garza pulling double duty by performing in both bands, who would come together at the end of every set for an extended jam. Read the rest of this entry »

Preview: Ed Motta/Mayne Stage

Funk, Neo-soul, Rock, Singer-Songwriter, Soul, World Music No Comments »

EdMottaRECOMMENDED

When Ed Motta began his career in the late eighties, critics and listeners were quick to compare his vocal style and his blend of funk, soul and Brazilian grooves with that of the late Tim Maia, one of the pioneers of the genre. That was no coincidence, after all he is Maia’s nephew–but his music evolved greatly from those early days with his Conexão Japeri band. Over the decades, he has collaborated with musicians as diverse as jazz greats Roy Ayers and Ivan Lins, fellow Rio-born songwriter Seu Jorge, and soul legend Chaka Khan, to name a few. Read the rest of this entry »

Live Review: Grimes/Pitchfork Music Festival

Festivals, Indie Pop, Live Reviews, Pop No Comments »
Photo: Robert Loerzel

Photo: Robert Loerzel

The Red Stage was at capacity in anticipation of Grimes, AKA Montreal’s Claire Boucher, AKA the closest thing to Korean pop we are likely to ever hear at Pitchfork. (Boucher has gone on the record as a huge fan, and the influence is quite evident in her sound.)

On one level, it’s a bit curious how well-loved Grimes is among the indie set precisely because her sound and her songwriting is so unabashedly pop; even her performance has the feel of a pared-down pop-star spectacle, from the generous wind machines to the pair of ribbon brandishing backup dancers.

However, when you see her in action, it becomes more obvious what endears her to the Pitchfork crowd. She’s a skilled producer with a special talent for creating a tapestry of electronic sounds: synth patterns, percussive textures, layers upon layers of her own voice. Not to mention she’s a hell of a lot of fun to watch. She alternates between crouching over her controllers like a mad scientist and bouncing around the stage like the DJ of her own birthday party. The crowd here clearly feels and returns her energy and she returns it back in spades. It’s a dizzying web that’s similar to the music itself. (Keidra Chaney)

Live Review: Mutual Benefit/Pitchfork Music Festival

Festivals, Folk, Folk-rock, Indie Pop, Live Reviews No Comments »
Photo: Robert Loerzel

Photo: Robert Loerzel

Usually the easiest way to get me to exit a live music situation is by mentioning the word “folk.” Despite my bias, indie-folk outfit Mutual Benefit won me over with their shimmering synth and guitar textures, soaring violin and gorgeous male-and-female vocal harmonies. In addition to an unusually lovely honey-dripped tenor, bandleader Jordan Lee has jokes—lots of them. He kept the growing Green Stage crowd chuckling in-between songs with his wry humor. (“We’ve always dreamed of opening for Slowdive and Kendrick Lamar.”) Not a bad way to kick off Pitchfork’s final day. (Keidra Chaney)

Live Review: tUnE-yArDs/Pitchfork Music Festival

Dance Pop, Festivals, Indie Pop, Indie Rock, Live Reviews No Comments »
Photo: Robert Loerzel

Photo: Robert Loerzel

tUnE-yArDs is divisive, from Merrill Garbus’ elaborate face-paint/clothes, to the arguable-cultural appropriation of Afro-beat influences, to the frustratingly quirky spelling of the band’s name, even Garbus’ spacey greeting to the Pitchfork crowd (“Thanks for being a massive mass of massiveness!”) seemed to be a bit …put on. To be so boldly, messily experimental in pop can either speak to an audience uniquely or rub them the wrong way. It is not a surprise that for every “I ADORE tUnE-yArDs” comment I heard in the crowd, there were an almost equal number of “This is annoying as hell,” comments to balance it out.

But it’s hard to deny Garbus’ talent, even if you don’t “get it.” She stands out in a sea of indie-pop sameness, especially for women artists. Where delicate vocal styles are the norm, Garbus is often gruff—she yelps, growls and howls in a decidedly non-gendered way. (At least two people near me thought Garbus was male at first.) She fearlessly plays with styles and cultural influences/signifiers: call and response vocals, funk bass, Afro-beat and hip-hop influenced percussion. (Is it cultural appropriation or homage? That’s way too much to get into while typing on an iPad standing up.) But with a five-piece band format (including two backup singers), her audacious musical vision comes alive on stage, giving the listener a lot more to chew on. Even when it doesn’t work, it does work; it’s hard to ignore and almost always elicits a strong audience response, which indie-pop needs a lot more of. (Keidra Chaney)

Live Review: Hundred Waters/Pitchfork Music Festival

Ambient, Electro, Festivals, Indie Pop, Pop No Comments »
Photo: Robert Loerzel

Photo: Robert Loerzel

Make it through pungent smells of every type, past the army of flat-billed backwards baseball caps, and be welcomed to the 2014 Pitchfork Music Festival by Hundred Waters. Lead singer Nicole Miglis proudly announced her first-time festival presence in a natural voice, full of ease and grace, successfully leading her quartet through an ambient electro-pop hula-hoop; music for a pleasant picnic. No better way to start, and the start is the only place where Hundred Waters belongs, their set perhaps a bit too passive for some. In response to the lackadaisical afternoon, Miglis stretched her voice to the highest heights, melodies melting into shifting samples, until the fearless monster of digitized bass bottomed out a crowd ready to dance. Whether or not they actually did is beside the point, Hundred Waters is the archetype for a new generation of musicians, no longer interested in the strictly acoustic world of their elders. Or perhaps Neneh Cherry will prove that the kids have more to learn than they might think. (Kenneth Preski)

Preview: Queen + Adam Lambert/United Center

Glam, Pop, Rock No Comments »

Queen (Brian May and Roger Taylor) + Adam Lambert Announce North American TourRECOMMENDED

It took more than two decades for Queen to tour the United States following the backlash over the “I Want to Break Free” video, in which the members appeared in drag. (It was homage to the English soap “Coronation Street” but MTV missed the point and banned the video.) According to the documentary “The Great Pretender,” frontman Freddie Mercury was reportedly outraged by the controversy and–if you believe those interviewed–basically ‘turned his back on America’ and focused on other markets instead. Read the rest of this entry »

Chef’s Special: A New Course from Kelis

Funk, Interviews, Pop, R&B, Soul No Comments »
Photo: Laurent Levy

Photo: Laurent Levy

By Kenneth Preski

The best way to understand an artist is to meet them on their own terms, something that’s exceedingly difficult to do with Kelis, a musician who’s made a career out of defying definition. Check her track record: “Caught Out There” in 1999, “Milkshake” in 2003, “Bossy” in 2006, “Acapella” in 2010—a decade worth of hits to undermine any criticisms about her artistic vision. These songs resonate because of Kelis’ exceptional ability to layer vocal harmonies with a shifting timbre; striking a delicate balance between hard and soft, the opposing textures of her voice veering whichever way the mood shifts. Kelis has used the technique to create songs that are spiritual and sexual in equal measure, standout track “Floyd” off of her latest album “Food” emphasizing her skill in the endeavor, a heavenly refrain about being blown away. Through her music, Kelis is both sacred and profane in a world that can’t get enough of either. Read the rest of this entry »