Reviews, profiles and news about music in Chicago

Spins: Girl Power plus IQ from Honey & the 45s, Elaine Dame

Alt-Rock, Chicago Artists, Indie Rock, Jazz, Record Reviews, Rock No Comments »

HoneyandThe45s

By Robert Rodi

In the last twenty-five years, women in music have made tremendous strides, building bodies of work that showcase the kind of empowerment, control and sexual bravado that would’ve been unimaginable just a few decades earlier. But for all their power and strength, they rarely manage to project intellect—the quality of being aware of themselves in context; of understanding not just who they are, but what they mean.

Thankfully, we’re beginning to see some cracks in that particular glass ceiling. And one Chicago-native, female-fronted alt-rock band is most definitely doing its part. Honey & the 45s’ new EP, “Mad,” features seven songs that all turn standard love-and-longing narratives on their heads—starting with the title cut, which is a razor-sharp dissection of a woman’s attraction-repulsion complex, in the form of a long screed directed at the guy in the equation. “I hate that you know me, you know me so well,” sings front woman Kristina Cottone, “I hate that you caught me before I fell.” With lyrics like that, you know you’re in fairly literary hands. Read the rest of this entry »

Offbeat: An Eclectic “Messiah” for a Diverse Holiday, Muti on Scriabin as the Next Mahler

Big Band, Blues, Chamber Music, Chicago Artists, Classical, Holiday Music, Interviews, Jazz, New Music, News and Dish, Orchestral, R&B, Reggae, Rock, Soul, Vocal Music No Comments »
Alfreda Burke and Rodrick Dixon

Alfreda Burke and Rodrick Dixon

By Dennis Polkow

“We’re both preachers’ kids,” says soprano Alfreda Burke of herself and husband, tenor Rodrick Dixon. “And as classical singers, we had both done our share of traditional Handel ‘Messiah’ performances.”

For the past ten years, however, the couple has been headlining the “Too Hot to Handel: A Jazz-Gospel Messiah,” each Martin Luther King Jr. Day weekend at the Auditorium Theatre. With the Auditorium celebrating its 125th anniversary this season and these being the tenth anniversary Chicago performances of “Too Hot to Handel,” Burke says “this is going to be a very festive celebration this time around.”

“It really started with [conductor] Marin Alsop in New York City with the Concordia Orchestra,” explains Dixon, who became familiar with the piece by being asked to substitute for Thomas Young, the work’s original tenor. “Marin had commissioned it from Bob Christianson and Gary Anderson, to do a whole rearrangement of Handel’s ‘Messiah’ with a modern twist that kept the famous melodies that people have come to love all over the world, except modernizing them in the sense of jazz, gospel, blues and some cinematic orchestration ideas that Bob and Gary were very well known for in New York.” Read the rest of this entry »

Raw Material: All You Need to Know About Tomorrow Never Knows

Alt-Rock, Festivals, Folk-rock, Hip-Hop, Indie Pop, Indie Rock, Pop, Rock No Comments »
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Zola Jesus

By Keidra Chaney

As of this writing, tickets for the Tomorrow Never Knows Festival (January 14-18) are still available. You can get a five-day pass for $100, and most individual shows run from $15 to $30. TNK added a comedy lineup to the festival a few years ago, but since I’m the last person you should be asking about comedy recs, I’ll stick to my picks for the music shows you should consider leaving the house for in the next few days.

TNK kicks off on January 14, and while Aimee Mann and Ted Leo’s fun folk-rock collaboration, The Both, is likely to draw a crowd, I recommend checking out the synth-pop project from Wolf Parade’s Dan Boeckner, called Operators, at Schubas (3159 North Southport). Indie rockers doing dance pop appears to be a thing now (not that I’m complaining, as a rock fan with a jones for synth) and Operators sound about as you’d expect: very eighties-tinged and chock full of hooks. It’s pop music the way indie rockers seem to be embracing it unabashedly now, and I think it’s worth checking out. The $15 show is 18+ and starts at 8pm, with Mister Suit, Lowell and Lia Ices opening. Read the rest of this entry »

Raw Material: Chicago Music 2015—You Read it Here

Folk-rock, Garage Rock, Hip-Hop, Jazz, Neo-soul, Post-metal No Comments »
sidewalkchalk

Sidewalk Chalk

By Keidra Chaney
While recapping the musical highlights of the past year is satisfying, looking forward to the new year is even more fun. Speculation always runs rampant, but the great thing is never knowing what to expect from new bands, new shows, new trends. Sometimes the next big thing in Chicago music comes out of nowhere, or an older favorite manages to surprise. And of course, in Chicago, we approach the upcoming summer concert festival season like it’s a basketball draft. So yes, there’s a lot to look forward to in 2015. Here are a few January shows to start off the year right, along with a few unscientific predictions about what to expect in Chicago music for the new year. Or maybe it’s just a wish list. You decide.
Apparently January is a good month for anniversaries, and there are two pretty significant ones coming up at Metro (3730 North Clark). Chicago’s pride, Bloodshot Records, is celebrating its twentieth anniversary on January 10 with an impressive lineup: folk-rocker Ben Kweller, Lydia Loveless (wasn’t she just in town?), alt-country local Jon Langford, Bobby Bare Jr., and Nashville six-piece Banditos.  The 18+ show is $21 and starts at 7pm. On January 30, post-metal trio Russian Circles comes home for their tenth-anniversary tour. I’ve been a huge fan of the band since their 2008 full-length release “Station,” and their acclaim seems to increase with each passing year. I never thought I’d see the band (or any heavy local band, honestly) play Millennium Park, and yet last summer’s show at Pritzker Pavilion was one of my favorites of an already impressive summer. This is a better time than any to check out the band, as they’ve promised a lineup of “special guests” for their hometown. If you haven’t seen them live, you’re running out of excuses. The 18+ show is $18/$20 d.o.s., and starts at 9pm. Prediction: We may finally see Chicago heavy music get its due in more mainstream circles.

Read the rest of this entry »

Raw Material: The Best of 2014? Possibly Yet to Come

Alt-Rock, Chicago Artists, Holiday Music, Indie Rock, Interviews, Live Reviews, Metal, Prog-rock, R&B, Rock, Shoegaze, Soul, Space Pop No Comments »
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Forgotten Species

By Keidra Chaney

Here we are at the end of the year, and while most music journalists will inflict their top-ten bands/albums/live shows of 2014 lists on their readers, I’ve decided to spare you. There’s still enough time, after all, to catch the best show of the year, or even check out a new band or album that might be your favorite. There have been two or three times that my favorite concert of a given year took place during the last six weeks on the calendar (I’m looking at you, St Vincent!). This is especially true with the holidays approaching; Chicago is fond of its Christmas and pre-New Year’s live music showcases and events. Either way, there’s still a lot going on in the city when it comes to live music. Here are a few standouts.

The Empty Bottle (1035 North Western) is all up in Christmas this month, with a whole slew of Christmas and Christmas-ish events to celebrate the holiday. On December 12, they’re throwing their second annual Bottle Hop to raise money for the Greater Chicago Food Depository. It’s an old-school rock ‘n’ roll/soul/R&B shindig, which makes it a perfect opportunity to dress kinda fancy. The lineup includes badass throwback soul band The Congregation (on the verge of very big things, I predict), fifties rockers The Tenders and western swing outfit The Chandelier Swingers. The show is $10 and starts at 9pm.

A week later, on December 19, space-y collaboration Quarter Mile Thunder throws a “Xmas psych party” (which also doubles as an album release party) with the Record Low. The following night features holiday-themed Chicago supergroup Snow Angels (comprising members of Mannequin Men, Johnny and The Limelites, Vee Dee and Automatic Stinging Machines), who reconvene for their annual holiday performance; they say it’s been twelve years since they started.

If that’s too much live music for you, the Bottle also hosts a pair of lunch-hour events in time for Christmas shopping: a poster sale on December 14 and a pop-up holiday market on December 20. Read the rest of this entry »

Offbeat: Renée Fleming Reaches Out From Opera, Blind Boys Modernize Their Message

Blues, Chicago Artists, Classical, Country, Holiday Music, Interviews, Jazz, News and Dish, Pop, Rock, Vocal Music No Comments »
Renée Fleming with KISS at the Macy's Thanksgiving Parade

Renée Fleming with KISS at the Macy’s Thanksgiving Parade

By Dennis Polkow

It’s a busy holiday season for the “People’s Diva,” Renée Fleming: not only has the soprano released her first-ever Christmas album, “Christmas in New York” (Decca), but PBS has produced a television special on the making of the album. As if that weren’t enough, Fleming sang at the Macy’s Thanksgiving Day Parade and is opening a new production of “The Merry Widow” at the Metropolitan Opera on New Year’s Eve, with Lyric Opera music director Sir Andrew Davis at the podium.

Christmas itself, however, Fleming admits, will remain a family affair. “My whole family sings like crazy,” says Fleming. “When we decorate the tree, my daughters and I have a major impromptu scat-singing festival.” It’s this spirit that informs the eclectic approach of “Christmas in New York,” on which Fleming performs with guest artists Wynton Marsalis, Gregory Porter, Kelli O’Hara, Chris Botti, Brad Mehldau, Rufus Wainwright and Chicago jazz singer Kurt Elling.

For those expecting a killer rendition of “O Holy Night” or “Ave Maria,” think again. “That was my expectation as well,” laughs Fleming. “I just assumed when I would finally do a Christmas album, it would be that Karajan-Vienna Philharmonic-Leontyne Price template. But this came together in a different way and Universal had a different idea about it.

“I stayed away from carols for the most part, except for ‘Stille, Stille, Stille.’ I also went to my collaborators and said, ‘What would you like to do?’ I took their lead in many cases. Since this took about nine months to really finish up, I worried for a while about it coming together in a way that would make it feel like a whole, but it did. There was enough variety on it to enable it to have that sense of different things coming together.” Read the rest of this entry »

Raw Material: Plenty of Live Music to Be Thankful For

Festivals, Holiday Music, Pop Punk, Post-punk, Rock, Soul No Comments »
omys

The O’My’s

By Keidra Chaney

For the musically inclined, the week of Thanksgiving can be a bit of a dead period. Since so many people head out of town for the week, many venues avoid booking shows during this time; in addition, they’re usually gearing up for whatever Christmas holiday events they might have planned. Bands try to squeeze in as many shows as they can before the holidays become a distraction for their followers, so traditionally it’s an uneven time for live music—unless you’re really keeping an eye out.

Which I’m here to do for you. And in terms of national acts, this Thanksgiving actually offers a pretty good weekend of options. The beloved Lucinda Williams comes to the Vic (3145 North Sheffield) on Friday, November 28, while her spiritual offspring Lydia Loveless is ironically playing Lincoln Hall (2424 North Lincoln) at roughly the same time. Saturday brings the gorgeous harmonies of Missouri roots rock band HaHa Tonka to Subterranean (2011 West North), and indie-rocker Angel Olsen (who once called Chicago home, albeit for a short time) returns to play Thalia Hall (1807 South Allport). Read the rest of this entry »

Raw Material: Never Mind CMJ, Get Your Buzz Right Here

Garage Rock, Krautrock, Psych pop, Punk, Singer-Songwriter No Comments »
Melkbelly

Melkbelly

Every year from late October to early November I suffer from a condition I call “CMJ Envy.” I spend all my time reading blogs and articles about the burgeoning bands and rising artists taking the stage at New York’s annual CMJ Music Marathon, and I wonder why Chicago can’t have similar events headlining new music. But in fact we do have something as cool; it happens every week in bars and small venues all across the city. But our regular music showcases don’t get nearly the attendance and press attention that big sexy events like CMJ get year after year. Part of that is on us, as live-music fans; we need to make the effort to show up and support local and touring bands before the critical buzz starts. With that in mind, here are some upcoming music events that are not only a good excuse to leave the house in the coming weeks, but also way more interesting than reading other people’s blog posts about the “next big thing.” Read the rest of this entry »

Preview: Burger Records Caravan of Stars Tour/Logan Square Auditorium

Garage Rock, Punk No Comments »

burgerecords

RECOMMENDED

Burger Records has shaped the face of today’s growing garage and punk scenes while not overcapitalizing the bands it represents or cheapening the image it has largely created. The label was founded in Orange County in 2007 by Sean Bohrman and Lee Rickard of Thee Makeout Party. The label has had an insane seven years as a huge contributor of the increased popularity of cassette tapes and the epicenter of the garage sound that uses these tapes. At this point, though, they seem to be more of a driving force for the bands they represent to keep doing what they want than a controlling, stifling authority. “We’re just trying to nurture them [the bands], cater to all of them, and bring them together in one collective cooperative world where we can live happily and funnily,” Rickard told Vice magazine. Read the rest of this entry »

Preview: Dope Body/Township

Hardcore, Punk No Comments »

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RECOMMENDED

The first time I saw Dope Body was when they opened for Future Islands at Lincoln Hall in 2012 and I’ve been enamored with the band ever since. I’ll forget about them for a while, then one of their songs will come up when my iPod is on shuffle, and I am immediately transported back to the pure anarchistic joy I experienced listening to Rage Against the Machine for the first time in my older brother’s purple Mitsubishi Galant. Turn your nose up at Rage Against the Machine all you want, but I pity any reader that doesn’t know this feeling. Read the rest of this entry »