When Ed Motta began his career in the late eighties, critics and listeners were quick to compare his vocal style and his blend of funk, soul and Brazilian grooves with that of the late Tim Maia, one of the pioneers of the genre. That was no coincidence, after all he is Maia’s nephew–but his music evolved greatly from those early days with his Conexão Japeri band. Over the decades, he has collaborated with musicians as diverse as jazz greats Roy Ayers and Ivan Lins, fellow Rio-born songwriter Seu Jorge, and soul legend Chaka Khan, to name a few. Read the rest of this entry »
Chicago, you are a big, bold, beautiful city of infinite complexity. Your historical heritage, your social and political upheaval, your segregation, violence and corruption have birthed an incredible wealth of musical expression. It’s by virtue of these artists that our community confronts and escapes the mistakes of our metropolis. And so our publication listens intently, offering a nuanced dialogue with the musicians who craft our culture. Yet, once a year, we redirect our approach to the opposing swing of the pendulum. We zoom-out where we would normally zoom-in. This list offers a broad-stroke survey of those Chicago musicians whose current cultural currency is readily represented to the city and to the rest of the world, living artists whose quantifiable influence echoes their effect. Some big names are missing, some rankings seem arbitrary, but it’s toward these acts, firmly Chicagoan, that we look when we seek out the spirit of home. Where our words might fail, the music will not. (Kenneth Preski)
Music 45 was written by Kenneth Preski, Dennis Polkow, John Wilmes, Jessica Burg, Robert Szypko, Eric Lutz, Keidra Chaney, Reilly Gill, Corey Hall and Dave Cantor
All photos taken on location at The Hideout by Joe Mazza of BraveLux. Read the rest of this entry »
While the so-called “neo-soul” trend of the mid to late 1990s has come and gone, many of the artists who were categorized by the genre (Erykah Badu, Jill Scott) have gone on to establish their own unique places within a music industry that still doesn’t quite know what to do with black artists that don’t do hip-hop. On the other hand, performers like D’Angelo and Lauryn Hill have spent the last decade at a professional standstill, struggling with personal demons and creative roadblocks.
And in the middle of it all is Maxwell. After his 1996 debut “Maxwell’s Urban Hang Suite” established his reputation as both a songwriter and a sex symbol, the deeply private performer has been notorious for his long, mostly self-imposed hiatuses. Read the rest of this entry »
By Kenneth Preski
The best way to understand an artist is to meet them on their own terms, something that’s exceedingly difficult to do with Kelis, a musician who’s made a career out of defying definition. Check her track record: “Caught Out There” in 1999, “Milkshake” in 2003, “Bossy” in 2006, “Acapella” in 2010—a decade worth of hits to undermine any criticisms about her artistic vision. These songs resonate because of Kelis’ exceptional ability to layer vocal harmonies with a shifting timbre; striking a delicate balance between hard and soft, the opposing textures of her voice veering whichever way the mood shifts. Kelis has used the technique to create songs that are spiritual and sexual in equal measure, standout track “Floyd” off of her latest album “Food” emphasizing her skill in the endeavor, a heavenly refrain about being blown away. Through her music, Kelis is both sacred and profane in a world that can’t get enough of either. Read the rest of this entry »
There was a time when it was natural for show tunes to make their way to the pop realm—singers like Ella Fitzgerald, Billie Holiday, Tony Bennett and Frank Sinatra all borrowed songs written for the stage and turned them into standards—including “On the Street Where You Live” (from “My Fair Lady”) recorded by Nat King Cole; “Luck Be a Lady” (from “Guys and Dolls”), a hit for Sinatra; ‘Till There Was You” (from “The Music Man”) famously covered by The Beatles; and of course “Don’t Cry For Me Argentina” (from “Evita”), a tune overplayed even before Madonna got her hands on it.
Nowadays it is unlikely for such songs to contribute to the Hot 100 even with the help of heavyweights like Bono or Elton John—the business has just changed too dramatically for that to happen (do you really hear anyone belting out “Seasons of Love” from “Rent” at your local karaoke bar?). That doesn’t mean that some tunes don’t deserve to be heard by non-musical theater fans, and that is where Billy Porter comes in. Read the rest of this entry »
Is “Blank Project” a jazz, soul, art or pop album? Listening to the disc attentively one could easily say all of the above, as the Swedish-born singer Neneh Cherry (known by mainstream music fans for her collaboration with Senegalese star Youssou N’ Dour) does her thing on her first solo release since 1996. Backed solely by Four Tet’s mix of percussion and electronic sounds, the music grabs you from the beginning with the Afro-inspired “Across The Water” and doesn’t let go until the very last track. Read the rest of this entry »
Soul songstress Sharon Jones’ latest tour is also a victory lap. After a tough battle with bile duct cancer sidelined an album release and tour plans in 2013, Jones returns this year with a clean bill of health and the release of “Give The People What They Want.” This is her first full tour with the Dap-Kings in two years. With more than thirty dates for the North American tour alone, Jones and the Dap-Kings are clearly making up for lost time after releasing a solid, unrepentant traditionalist R&B/funk album—and I mean that as a total compliment. “Give The People What They Want” features Daptone Records’ usual bold, wall-of-sound production fleshed out with groove-drenched songs like “Retreat!” and “People Don’t Get What They Deserve.” Read the rest of this entry »
Chicago welcomes back pop and R&B’s newest blue-eyed recruit, Daley. Born and raised in Manchester, England, the twenty-four-year-old has come up in the industry little by little in the past four years thanks to an unrelenting DIY philosophy. Donning one ridiculously top-heavy, modern-day pomp, perfectly pruned geometric facial hair, and thick-rimmed glasses, Daley looks especially eager for an audience. With this tour being the first to follow the release of his first-ever studio album (“Days & Nights”) who can blame him?
For Daley, a pursuit toward music came naturally and the recurring dream of signing with a major label began back in his teens. Locked away in his bedroom he’d write songs and lyrics channeling such predecessors as Prince, D’Angelo, Sade and Radiohead. When he was old enough, he left Manchester for London and began working his way into the underground urban music scene. Read the rest of this entry »
By Jessica Burg
The universal truth that music is best when shared remains unequivocal. For the last forty years, folks have traveled distances far and wide in pursuit of one of America’s original treasures, 1960s soul music. Over weekend-long parties they celebrate camaraderie, record trading, drinking (for some, not all) and most importantly, dancing till the wee hours of the morning. There are two standout characteristics to this little-known tradition, which has come to be known as a Northern Soul weekender. The first is that the songs they play aren’t the familiar standbys most often affiliated with the era—the Temptations or Otis Redding. The second is that you’d be hard-pressed to find anything like it going down on American soil. In fact, you’d have to make the stretch across the pond to England or another part of Europe. That was until Pilsen residents Kevin Jones and Brenda Hernandez held the first ever Soul Togetherness USA event in 2013. This year’s weekender incorporates four nights of free (that’s right, free!) local, national and international DJs, a record swap and Soul Serenade bus tour, making it the only bash of its kind in the States with the exception of Soul Trip USA, a European export. Read the rest of this entry »
The Chicago-based octet Sidewalk Chalk is far from your ordinary hip-hop group. The band fuses soul and jazz with contemporary beats and insightful lyrics to create original songs and live performances that get even the most conservative of concert-goers on their feet. Their arrangements highlight what each of the band’s members bring to the table. Maggie Vagle (vocals) and Rico Sisney (MC) complement each other on stage as well as they do on tracks, matching energy and emotion note for note. Likewise, while Tyler Berg uses a drum set to keep time, Jumaane Taylor tap dances to add in rhythms and provide a unique flair to the band’s sound. Read the rest of this entry »