Chicago singer-songwriter Lili K. first galvanized me with the debut single off her new album, “Ruby.” The tune—“Tommy”—is such a polished, pitch-perfect soul ballad, I wouldn’t have been surprised to learn it had come out in the seventies. “I got a man, he’s as sweet as pecan pie,” the singer croons seductively at the outset, against a backdrop of sultry trumpets; and by the bridge (which will get in your brain so deep major surgery may be required to remove it), she’s enlisted a trio of backup singers to help declaim the super-fineness of her guy (“Tommy / You’re like a book of poetry / Tommy / Your words alone excite me / Tommy / Don’t you ever let go of me”). It wasn’t till I saw the video that I got Lili K.’s utterly modern playfulness. Read the rest of this entry »
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By Dennis Polkow
Although Chinese superstar pianist Lang Lang is calling from London, where he’s just given a recital at Royal Albert Hall, he is thinking ahead to Chicago. “I need to buy a new suit, I had my big breakthrough there,” he recalls, a reference to when, at conductor Christoph Eschenbach’s encouragement, he stepped in as a last-minute, unknown replacement for an indisposed Andre Watts at a 1999 Ravinia Festival Chicago Symphony Orchestra Gala, and became an overnight sensation at the ripe old age of seventeen.
Eschenbach, then Ravinia music director, was a mentor to Lang Lang, as was then-CSO music director Daniel Barenboim, so that Chicago was like a second home. He was the first artist to offer a piano recital at the Civic Opera House in 2012, and was so impressed with the sound of the venue, that he returns there this month. “When you see such a big hall, you always worry about, ‘what is the sound like?’ But it has perfect sound. I remember last time, I was playing Mozart, it was so beautiful, so precise, so intimate. It’s a miracle to see such a big space have such an intimate sound.” Read the rest of this entry »
By Corey Hall
Silently, the musicians in the Chicago-born Association for the Advancement of Creative Musicians (AACM) stand and face east before a single note is expressed. This, according to Muhal Richard Abrams, the Association’s co-founder, is because all life originates in the east. If any evil energies exist in a performance space, the musicians must wear war paint and masks for protection. This tradition has characterized AACM presentations since 1965.
The organization celebrates its golden anniversary this month, beginning on April 22 with a performance by the Hanah Jon Taylor Artet at The Promontory and culminating in a collaborative finale, “Together: A Power Stronger Than Itself,” at Mandel Hall on April 26, in which fifty AACM members perform as one. In between are recitals and concerts at various venues around town, by artists such as Saalik’s Epoch Zed, cellist Tomeka Reid and The Colson Group.
Drummer Dushun Mosley and violist Renée Baker—two AACM members who are participating in multiple performances during the celebration—recently spoke about why this cooperative association still matters. Read the rest of this entry »
It makes perfect sense to book a band into a theater—at least when the band is Booty Movement Coalition (affectionately known by aficionados as BMC) and the theater is the Mission at the new iO (formerly the ImprovOlympic). If you expand the concept of improv beyond stand-up and sketch comedy to encompass all the live arts, you end up with a much wider performance palette; and that appears to be the Mission’s mission, as they’ve committed to an ongoing series of music Mondays. BMC, for its part, has the distinction of being a ten-to-fourteen-member band which since its founding in 2009 has never given the same performance twice—because every single note is improvised, on the spot. Read the rest of this entry »
By Dennis Polkow
“We’re both preachers’ kids,” says soprano Alfreda Burke of herself and husband, tenor Rodrick Dixon. “And as classical singers, we had both done our share of traditional Handel ‘Messiah’ performances.”
For the past ten years, however, the couple has been headlining the “Too Hot to Handel: A Jazz-Gospel Messiah,” each Martin Luther King Jr. Day weekend at the Auditorium Theatre. With the Auditorium celebrating its 125th anniversary this season and these being the tenth anniversary Chicago performances of “Too Hot to Handel,” Burke says “this is going to be a very festive celebration this time around.”
“It really started with [conductor] Marin Alsop in New York City with the Concordia Orchestra,” explains Dixon, who became familiar with the piece by being asked to substitute for Thomas Young, the work’s original tenor. “Marin had commissioned it from Bob Christianson and Gary Anderson, to do a whole rearrangement of Handel’s ‘Messiah’ with a modern twist that kept the famous melodies that people have come to love all over the world, except modernizing them in the sense of jazz, gospel, blues and some cinematic orchestration ideas that Bob and Gary were very well known for in New York.” Read the rest of this entry »
By Keidra Chaney
Here we are at the end of the year, and while most music journalists will inflict their top-ten bands/albums/live shows of 2014 lists on their readers, I’ve decided to spare you. There’s still enough time, after all, to catch the best show of the year, or even check out a new band or album that might be your favorite. There have been two or three times that my favorite concert of a given year took place during the last six weeks on the calendar (I’m looking at you, St Vincent!). This is especially true with the holidays approaching; Chicago is fond of its Christmas and pre-New Year’s live music showcases and events. Either way, there’s still a lot going on in the city when it comes to live music. Here are a few standouts.
The Empty Bottle (1035 North Western) is all up in Christmas this month, with a whole slew of Christmas and Christmas-ish events to celebrate the holiday. On December 12, they’re throwing their second annual Bottle Hop to raise money for the Greater Chicago Food Depository. It’s an old-school rock ‘n’ roll/soul/R&B shindig, which makes it a perfect opportunity to dress kinda fancy. The lineup includes badass throwback soul band The Congregation (on the verge of very big things, I predict), fifties rockers The Tenders and western swing outfit The Chandelier Swingers. The show is $10 and starts at 9pm.
A week later, on December 19, space-y collaboration Quarter Mile Thunder throws a “Xmas psych party” (which also doubles as an album release party) with the Record Low. The following night features holiday-themed Chicago supergroup Snow Angels (comprising members of Mannequin Men, Johnny and The Limelites, Vee Dee and Automatic Stinging Machines), who reconvene for their annual holiday performance; they say it’s been twelve years since they started.
If that’s too much live music for you, the Bottle also hosts a pair of lunch-hour events in time for Christmas shopping: a poster sale on December 14 and a pop-up holiday market on December 20. Read the rest of this entry »
By Keidra Chaney
For the musically inclined, the week of Thanksgiving can be a bit of a dead period. Since so many people head out of town for the week, many venues avoid booking shows during this time; in addition, they’re usually gearing up for whatever Christmas holiday events they might have planned. Bands try to squeeze in as many shows as they can before the holidays become a distraction for their followers, so traditionally it’s an uneven time for live music—unless you’re really keeping an eye out.
Which I’m here to do for you. And in terms of national acts, this Thanksgiving actually offers a pretty good weekend of options. The beloved Lucinda Williams comes to the Vic (3145 North Sheffield) on Friday, November 28, while her spiritual offspring Lydia Loveless is ironically playing Lincoln Hall (2424 North Lincoln) at roughly the same time. Saturday brings the gorgeous harmonies of Missouri roots rock band HaHa Tonka to Subterranean (2011 West North), and indie-rocker Angel Olsen (who once called Chicago home, albeit for a short time) returns to play Thalia Hall (1807 South Allport). Read the rest of this entry »
When Ed Motta began his career in the late eighties, critics and listeners were quick to compare his vocal style and his blend of funk, soul and Brazilian grooves with that of the late Tim Maia, one of the pioneers of the genre. That was no coincidence, after all he is Maia’s nephew–but his music evolved greatly from those early days with his Conexão Japeri band. Over the decades, he has collaborated with musicians as diverse as jazz greats Roy Ayers and Ivan Lins, fellow Rio-born songwriter Seu Jorge, and soul legend Chaka Khan, to name a few. Read the rest of this entry »
Chicago, you are a big, bold, beautiful city of infinite complexity. Your historical heritage, your social and political upheaval, your segregation, violence and corruption have birthed an incredible wealth of musical expression. It’s by virtue of these artists that our community confronts and escapes the mistakes of our metropolis. And so our publication listens intently, offering a nuanced dialogue with the musicians who craft our culture. Yet, once a year, we redirect our approach to the opposing swing of the pendulum. We zoom-out where we would normally zoom-in. This list offers a broad-stroke survey of those Chicago musicians whose current cultural currency is readily represented to the city and to the rest of the world, living artists whose quantifiable influence echoes their effect. Some big names are missing, some rankings seem arbitrary, but it’s toward these acts, firmly Chicagoan, that we look when we seek out the spirit of home. Where our words might fail, the music will not. (Kenneth Preski)
Music 45 was written by Kenneth Preski, Dennis Polkow, John Wilmes, Jessica Burg, Robert Szypko, Eric Lutz, Keidra Chaney, Reilly Gill, Corey Hall and Dave Cantor
All photos taken on location at The Hideout by Joe Mazza of BraveLux. Read the rest of this entry »