By Keidra Chaney
While recapping the musical highlights of the past year is satisfying, looking forward to the new year is even more fun. Speculation always runs rampant, but the great thing is never knowing what to expect from new bands, new shows, new trends. Sometimes the next big thing in Chicago music comes out of nowhere, or an older favorite manages to surprise. And of course, in Chicago, we approach the upcoming summer concert festival season like it’s a basketball draft. So yes, there’s a lot to look forward to in 2015. Here are a few January shows to start off the year right, along with a few unscientific predictions about what to expect in Chicago music for the new year. Or maybe it’s just a wish list. You decide.
Apparently January is a good month for anniversaries, and there are two pretty significant ones coming up at Metro (3730 North Clark). Chicago’s pride, Bloodshot Records, is celebrating its twentieth anniversary on January 10 with an impressive lineup: folk-rocker Ben Kweller, Lydia Loveless (wasn’t she just in town?), alt-country local Jon Langford, Bobby Bare Jr., and Nashville six-piece Banditos. The 18+ show is $21 and starts at 7pm. On January 30, post-metal trio Russian Circles comes home for their tenth-anniversary tour. I’ve been a huge fan of the band since their 2008 full-length release “Station,” and their acclaim seems to increase with each passing year. I never thought I’d see the band (or any heavy local band, honestly) play Millennium Park, and yet last summer’s show at Pritzker Pavilion was one of my favorites of an already impressive summer. This is a better time than any to check out the band, as they’ve promised a lineup of “special guests” for their hometown. If you haven’t seen them live, you’re running out of excuses. The 18+ show is $18/$20 d.o.s., and starts at 9pm. Prediction: We may finally see Chicago heavy music get its due in more mainstream circles.
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When Ed Motta began his career in the late eighties, critics and listeners were quick to compare his vocal style and his blend of funk, soul and Brazilian grooves with that of the late Tim Maia, one of the pioneers of the genre. That was no coincidence, after all he is Maia’s nephew–but his music evolved greatly from those early days with his Conexão Japeri band. Over the decades, he has collaborated with musicians as diverse as jazz greats Roy Ayers and Ivan Lins, fellow Rio-born songwriter Seu Jorge, and soul legend Chaka Khan, to name a few. Read the rest of this entry »
While the so-called “neo-soul” trend of the mid to late 1990s has come and gone, many of the artists who were categorized by the genre (Erykah Badu, Jill Scott) have gone on to establish their own unique places within a music industry that still doesn’t quite know what to do with black artists that don’t do hip-hop. On the other hand, performers like D’Angelo and Lauryn Hill have spent the last decade at a professional standstill, struggling with personal demons and creative roadblocks.
And in the middle of it all is Maxwell. After his 1996 debut “Maxwell’s Urban Hang Suite” established his reputation as both a songwriter and a sex symbol, the deeply private performer has been notorious for his long, mostly self-imposed hiatuses. Read the rest of this entry »