By Corey Hall
Forty years later, the song’s groove and message still inspire him: “Said the long-haired hippies and the afro blacks / They all get together across the tracks /And they party!”
As a teenager growing up in the seventies at 85th and Stony Island, Chuck Webb saved his allowance to purchase that record, James Brown’s “Get on the Good Foot.” As a bassist whose first band, Quiet Fire, had opened up for Ramsey Lewis at the Ivanhoe Theater while still in the eighth grade, Webb absolutely dug this tune’s tasty bass break.
“I always thought it was really cool. And maybe in the back of my mind, I said, ‘If I ever get a chance to record this song, I’m going to play it longer, because it’s only about three or four bars,” Webb says. “And those lines about the long-haired hippies and the afro blacks always seemed so profound,” he continues. “It was like a message of unity hidden within the groove.”
Well, Webb—whose acoustic and electric bass playing has been heard with artists ranging from Ramsey Lewis to Al Di Meola, Charley Pride to Lalah Hathaway—has recorded and stretched out that bass break at will on “No Smoke, No Mirrors,” his debut album that will be released on May 23. This nine-song program features his five-piece band: tenor saxophonist/flautist Steve Eisen, pianist/keyboardist Tom Vaitsas; electric/acoustic guitarist Buddy Fambro, drummer Ben Jammin Johnson, and vocalist Michael Scott, who appears twice.
Recorded live and filmed for DVD release before family and friends at Soundmine Studios, 8043 South Stony Island, “No Smoke, No Mirrors” is Webb’s attempt to combine acoustic jazz, electric funk and R&B/soul into one complete statement. “I need to present myself to the world, and this is what I do,” Webb says, who also serves as Director of Bass Studies at Columbia College. Everything the listener will hear, he added, is live, with his bass serving as the engine propelling the vehicle. No sequences; no studio tricks; no overdubs. Read the rest of this entry »