Reviews, profiles and news about music in Chicago

Offbeat: Muti on the Mend and on “Falstaff”

Chamber Music, Chicago Artists, Classical, Interviews, News and Dish, Orchestral, Vocal Music No Comments »

Muti, Riccardo -- 2016 Japanese stamp

By Dennis Polkow

When Chicago Symphony Orchestra music director Riccardo Muti cancelled two weeks of concerts in February, the only details that were released at the time were that he was recovering from a “hip operation” after a “minor accident.”

The timing was odd, as Muti had just completed a tour of the Far East with the CSO. Given the lack of details, international speculation ran rampant that he had injured himself while on tour or even last fall, but had waited to go home for surgery. Read the rest of this entry »

Offbeat: Earth, Wind & Fire Comes Home to “Celebrate” Life of Founder

Afrobeat, Blues, Calypso, Chicago Artists, Classical, Experimental, Funk, In Memoriam, Interviews, Jazz, News and Dish, Pop, R&B, Rock, Singer-Songwriter, Soul, Space Pop, Vocal Music, World Music No Comments »
Verdine White (left) and Maurice White in 2005.

Verdine White (left) and Maurice White in 2005

By Dennis Polkow

When Earth, Wind & Fire founder Maurice White died in his sleep on February 3 at the age of seventy-four after a long battle with Parkinson’s disease, the accolades for the former Chicagoan were universal.

“We had talked the day before and I had seen him a few days before,” says Maurice’s brother, Chicago native and EWF bassist Verdine White, “so this was a huge surprise.” Verdine describes Maurice’s passing as a “transition” and says that he still “guides me, as he always has.” Although Maurice gave up performing with Earth, Wind & Fire in 1994, he remained a mentor to the band until his death.

It was Maurice who came up with the idea of a multi-genre band that would be an amalgam of styles at a time when, as Verdine puts it, “there was a revolution going on in music.” Read the rest of this entry »

Offbeat: Michael Tiknis to Depart After Making Harris More User Friendly

Chamber Music, Chicago Artists, Classical, Interviews, News and Dish, Orchestral, Vocal Music No Comments »
Michael Tiknis

Michael Tiknis

By Dennis Polkow

How does a downtown performing arts theater that is less than a dozen years old come to need nearly ten million dollars in renovations?

“When the Harris Theater was designed and built,” Harris Theater president and general managing director Michael Tiknis explains, “Millennium Park was still an idea that was developing organically along with the Harris. Twelve or thirteen years ago, the idea was you could park your car and never go outside into the cold and walk right into the theater.

“It was all designed for you to come into the garage and come in through the lowest level. And when you do that, for the most part, it works very well. But all of the restaurants and Millennium Park being built around it gave rise to a lot more people coming in on upper Randolph than those tiny little elevators were ever designed to hold. And all of those new, surrounding neighborhoods made us realize that what had been designed virtually before Millennium Park and in a vacuum, needed to be rethought as it became a living organic thing with this neighborhood developing. So, it’s not a theater renovation because of age, it’s a theater renovation because of change of use. Read the rest of this entry »

Offbeat: Haymarket Debuts Lenten Oratorio Series with “Dangerous” Music

Chamber Music, Chicago Artists, Classical, Interviews, News and Dish, Orchestral, Vocal Music No Comments »
Haymarket Opera Orchestra, Craig Trompeter (center)

Haymarket Opera Company, Craig Trompeter (center)

By Dennis Polkow

“The unusual element in Stradella’s music is it is dangerous sounding,” says Haymarket Opera artistic director, cellist and violist da gamba Craig Trompeter. “The virtuosity is really pushed to the limits to a scary place where it’s kind of like watching a horror film. We’re somehow fascinated by that as human beings, we want to watch other people in danger.”

Italian composer Alessandro Stradella (1639-1682) led such an unabashedly risqué life that his notorious escapades were the subject of no less than two nineteenth-century operas and a twentieth-century novel.

Often fleeing places where he had been employed to compose, Stradella once escaped Rome over embezzlement of church funds. More often, Stradella’s flights were over scandalous affairs with noblewomen that would find himself at the mercy of enraged aristocratic families who would set out to kill him. One left him half dead, another finally succeeded—when a hired assassin stabbed him to death in a public square in Genoa when Stradella was forty-two years old. Read the rest of this entry »

Offbeat: Philip Glass Comes Home to Chicago

Chamber Music, Chicago Artists, Classical, Indian Classical, Interviews, Minimalism, New Music, News and Dish, Orchestral, Rock, World Music No Comments »
Philip Glass (left) and David Bowie, 1992

Philip Glass (left) and David Bowie, 1992

By Dennis Polkow

Composer Philip Glass is coming home. Well, sort of. The high priest of Minimalism, a term Glass has always loathed, will be in residence at the University of Chicago this month. Although it is not the first time Glass has been back to his Hyde Park alma mater, where he was once a mathematics and philosophy major, this is his first official residency there as a Presidential Arts Fellow.

Glass’ residency will include a University of Chicago Presents concert where he and others will perform his Piano Etudes, a screening of the film “Mishima” which Glass scored and will discuss, a free public talk on artistic collaboration and various conversations with students and faculty from across the university.

Chicago was where Glass originally realized—while practicing piano pieces of Charles Ives and Anton Webern—that he wanted to become a composer, although he would head to Juilliard to begin to accomplish that goal. Read the rest of this entry »

Offbeat: After a New York Detour, Stephen Williamson is Back Home Playing Mozart

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Stephen Williamson (center) conducts a master class. Photo: Todd Rosenberg

Stephen Williamson/Photo: Todd Rosenberg

By Dennis Polkow

“Honestly, I felt like I was being shot out of a cannon,” says Chicago Symphony Orchestra principal clarinetist Stephen Williamson of the day he unexpectedly landed the job. “There had been four years of auditions and the position was still vacant. I was at the Metropolitan Opera Orchestra and was being asked every time, ‘Please, will you come?’ My wife and I struggled with it and I told her, ‘They’re not finding anybody. I feel I need to go out there and to at least say that I tried, that I represented myself.’

“When I finally came to Chicago, I wasn’t expecting anything. All I was hoping was that I would have an opportunity to be invited to play a week with the orchestra and then, whatever happens, happens. And I could say that at least I got to play with the Chicago Symphony and that it was a great experience.”

What Williamson never expected was for music director Riccardo Muti and the audition committee to offer him the position on the spot immediately after he had concluded his audition. “I really was shocked. They did it so early in the morning because I had to fly back to do a ‘Die Walküre’ performance with Maestro [James] Levine. I was elated, but in shock, because I had to go back to my music director at the Met, play that same night and say, ‘By the way, something just happened.’ The news was already at the Met before I even showed up off the plane. Maestro Levine had requested to see me at intermission.” Read the rest of this entry »

Knowledge Drop: R.O.E. + NYC = A Bold New P.O.V.

Chicago Artists, Hip-Hop, Interviews, Rap 1 Comment »

620382_10100441858583871_364860079_oBy Craig Bechtel

West Side product Roosevelt Sledge, Jr. goes by R.O.E. (pronounced Roe), an acronym for Rising Over Envy, but he’s risen over a lot more. Since his 2011 debut EP, “A Backpacker Named R.O.E.,” he’s toured to tout his intelligent brand of alternative hip-hop, recorded an incredible live album with his band The Soulvillians at Double Door… and his 2014 EP was either a toast “To Happiness” or described his journey there.

That sojourn toward happiness has included recently relocating to New York to better connect with music-industry resources and expand his horizons. R.O.E. says “it’s a mix” of music bringing him to NYC and also wanting “to experience life outside of Chicago.” He says he’ll probably live here again, but plans on developing his career and “building up Chicago” from his new base. Read the rest of this entry »

Offbeat: The Ides of March Are Bearing Gifts for Christmas

Chicago Artists, Folk-rock, Holiday Music, In Memoriam, Interviews, News and Dish, Pop, Prog-rock, Record Reviews, Rock, Singer-Songwriter No Comments »

The Ides of March

By Dennis Polkow

“There is something lacking in a lot of current Christmas music,” admits legendary Chicago singer-songwriter-guitarist Jim Peterik. “A simple thing called spirituality. When it’s only about mistletoe and eggnog, it kind of misses the point. I don’t mind fun Christmas songs, believe me, but there also has to be some substance.”

Peterik’s longtime band, the Ides of March, has released two Christmas albums over the years, and this year, is releasing its third, “The Meaning of Christmas.” “Are we forgetting the meaning of Christmas in all the hoopla? That’s the whole idea: where did Christmas start? Why do we celebrate it? That’s my goal, really. And they’re not all religious or spiritual songs but there’s a thread that’s running through them: let’s not forget the meaning of Christmas.” Read the rest of this entry »

Offbeat: Composer Jimmy López Makes Peruvian Folk Music Highbrow

Chamber Music, Chicago Artists, Classical, Experimental, Interviews, Latin, New Music, News and Dish, Orchestral, Record Reviews, Vocal Music, World Music No Comments »
Jimmy López

Jimmy López

By Dennis Polkow

“One of my greatest experiences is when things come to you,” admits Peruvian composer Jimmy López. “The first composition I ever wrote came through a dream, I can still remember it. I trust my memory in that sense.”

Some of the musical ideas that come to López remain with him for years before they end up in an actual piece of music. “I try to write things down only after they have already taken a certain shape in my mind. I don’t really like to write down ideas that I feel are premature. There’s a certain plasticity that ideas have when they’re in your mind rather than written down.”

López reveals he has ideas that “I am carrying right now. There is one I have been carrying since at least 2003.” One from 2007 was only recently written down and turned into a finished piece. “It’s a beautiful melody that I never wrote down because I didn’t know what I was going to use it for, I had no idea. I saw the opportunity to use it, finally, it felt perfect.” Read the rest of this entry »

News: Muti to Make Rare December Appearance with CSO

Chicago Artists, Classical, Interviews, News and Dish, Orchestral, Vocal Music 1 Comment »
Riccardo Muti

Riccardo Muti

Chicago Symphony Orchestra music director Riccardo Muti is making a rare December appearance this week with the CSO. The Italian-born conductor usually conducts quarterly residencies, but this year has added a fifth residency close to the holidays. This has never happened before as Muti is usually back home in his native Italy at this time of year, but is reflective of how increasingly “at home” Muti feels in Chicago.

During the Sir Georg Solti era of the CSO, the Hungarian-born conductor, who made his home in London, spent so little time here that he was known as an “absentee landlord.” Daniel Barenboim notoriously flew out of Chicago the same night he conducted his final concert as music director in 2006. Muti, however, seems to relish his time here. “When I go back to Italy, my wife asks me, ‘What have you been doing in Chicago?’ ” admits Muti. “And I tell her, ‘Having fun.’ ”

Why only a single program across a single week? “Because someone was asked to come here—I would rather not say who—who really should not be conducting here,” Muti explains. “This orchestra should only have the best, and this was not the best. I was asked, ‘Who can we get to take a one-week program in December with so little notice?’ I said, ‘I will come. With pleasure.’ ” Read the rest of this entry »