In the late seventies and eighties, a group of local DJs—Wayne Williams, Jesse Saunders, Alan King, Tony Hatchett and Andre Hatchett—helped turn Chicago-style house music into an international phenomenon. In 1990, the by-now-self-christened Chosen Few Disco Corp. (self-esteem obviously not being a problem area for them) held a reunion picnic at Jackson Park, and rather than being a wistful, weren’t-the-old-days-great-please-pass-the-potato-salad affair, the party generated enough high-energy mojo to launch an entirely new phenomenon: an annual house-music festival that grew to incorporate live performances as well as epic-scale spinning. Read the rest of this entry »
Chicago singer-songwriter Joe Goodkin is perhaps best known as the founder of the local indie band Paper Arrows. But his career took an interesting turn when he wrote a thirty-minute adaptation of “The Odyssey” for voice and guitar, which he ended up touring around the country to widespread acclaim. I’ve only heard excerpts, but there’s an aching plangency in the work that seems to give it a direct connection to the Bronze Age texts. Now Goodkin has emerged on the other side with a new EP, “Record of Life,” that comes across almost as an adaptation of his own earlier work—or more accurately, a commentary on it; a corrective of where it didn’t go far enough—as if all that time spent with Homer has given him the cojones to call bullshit on his previous, more timid self. Read the rest of this entry »
Rock ’n’ roll used to be a force for social change—and if the employees of megabucks retailer Guitar Center have their way, it will be again, goddammit. The workers unionized two years ago, and now find themselves fighting for a fair contract—meaning one that provides a living wage and affordable benefits. They stress how much they love their jobs, but lament that “we often have trouble making ends meet, thanks to low wages and fluctuating hours. We are asked to do many non-selling tasks which hurt our commissions. Sales workers do not receive sick days, health benefits are expensive and part timers are not even offered health benefits.” Read the rest of this entry »
Not sure what it is about the long-awaited arrival of summer in Chicago, but it invariably unleashes the urge to go out, cram oneself into a small club shoulder-to-shoulder with the demoniacally like-minded, and have one’s face melted by an unapologetically balls-out local rock band. Well, June is that month and She Rides Tigers is that band. In case the endlessly extended winter has eroded your belief in just how much noise a mere trio of human beings can make, Joe O’Leary (guitar, vocals), James Scott (bass, vocals) and Matt McGuire (drums) are happy to remind you. Read the rest of this entry »
Nonprofit arts programming collective Homeroom returns with its Songwriter Showcase after a couple of months off. If singer-songwriter open mics tend to be the kind of thing that normally repels you, I urge you to give Homeroom’s take on such an event a try. There’s a lot more diversity than the usual “lone-singer-with-a-guitar” setup, a diversity of styles and genres and an opportunity to hear the artists talk about their songwriting and creative processes. Read the rest of this entry »
As an aficionado who does a fair bit of proselytizing in an attempt to get people to listen to modern, improvised jazz, I hear a lot of resistance along the following lines: “It’s cerebral.” “It’s dissonant.” “It’s complex and hard to follow.” To which I always reply: “You say that like those are bad things.” But in a sense I understand; while there’s plenty of fire and ice in most new jazz, there’s not a lot of… friendliness, for lack of a better word—a welcoming hand, extended toward the listener to invite her onto an unfamiliar soundscape. Which is where Shawn Maxwell comes in. Read the rest of this entry »
Chicago singer-songwriter Sean Guinan has apparently decided our current cultural moment isn’t Weimar Republic enough. How else to explain Candy Town, the musical troupe he put together five years ago, which has been gleefully trawling Chicago’s demimonde ever since? (Though perhaps seeking to create a Chicago demimonde is more accurate.) Got up in greasepaint, a bowler hat and a backroom croupier’s shirtsleeves, Guinan fronts the band with sinuous glee, flanked by two singers—Maggie O’Keefe and Kristin Srail—who are more often than not dressed in cat suits. Read the rest of this entry »
Alt-Rock, Chicago Artists, Dance Pop, EDM, Electronic/Dance, Festivals, Folk-rock, Garage Rock, Indie Pop, Live Reviews, Post-Rock, Rock
By Bart Lazar
“To hell with poverty,” Gang of Four tells us, “we’ll get drunk on cheap wine.” The only problem is that the band is playing at SXSW on a stage sponsored by dozens of global megabrands and funded by tens of thousands of trade show attendees, each of whom has shelled out thousands of dollars to attend. But just like the song, SXSW has an irresistible beat you can dance to, so that art, entertainment and fun ultimately trump commerce. Read the rest of this entry »
Alt-Rock, Chicago Artists, Holiday Music, Indie Rock, Interviews, Live Reviews, Metal, Prog-rock, R&B, Rock, Shoegaze, Soul, Space Pop
By Keidra Chaney
Here we are at the end of the year, and while most music journalists will inflict their top-ten bands/albums/live shows of 2014 lists on their readers, I’ve decided to spare you. There’s still enough time, after all, to catch the best show of the year, or even check out a new band or album that might be your favorite. There have been two or three times that my favorite concert of a given year took place during the last six weeks on the calendar (I’m looking at you, St Vincent!). This is especially true with the holidays approaching; Chicago is fond of its Christmas and pre-New Year’s live music showcases and events. Either way, there’s still a lot going on in the city when it comes to live music. Here are a few standouts.
The Empty Bottle (1035 North Western) is all up in Christmas this month, with a whole slew of Christmas and Christmas-ish events to celebrate the holiday. On December 12, they’re throwing their second annual Bottle Hop to raise money for the Greater Chicago Food Depository. It’s an old-school rock ‘n’ roll/soul/R&B shindig, which makes it a perfect opportunity to dress kinda fancy. The lineup includes badass throwback soul band The Congregation (on the verge of very big things, I predict), fifties rockers The Tenders and western swing outfit The Chandelier Swingers. The show is $10 and starts at 9pm.
A week later, on December 19, space-y collaboration Quarter Mile Thunder throws a “Xmas psych party” (which also doubles as an album release party) with the Record Low. The following night features holiday-themed Chicago supergroup Snow Angels (comprising members of Mannequin Men, Johnny and The Limelites, Vee Dee and Automatic Stinging Machines), who reconvene for their annual holiday performance; they say it’s been twelve years since they started.
If that’s too much live music for you, the Bottle also hosts a pair of lunch-hour events in time for Christmas shopping: a poster sale on December 14 and a pop-up holiday market on December 20. Read the rest of this entry »
Photo: Robert Loerzel
By Keidra Chaney
Coming into Pitchfork I could count the number of acts I had real enthusiasm for. However, by the end of the weekend, I had downloaded albums by two acts I hadn’t listened to before (Ka and Factory Floor) and was interested in following up on quite a few more. Pitchfork has finally motivated me to reconsider Deafheaven, which is a major feat in itself. Of the Chicago-based music fests, I think Pitchfork is definitely the best-curated, with a great balance of established acts, nostalgia acts and buzz bands. Read the rest of this entry »