Reviews, profiles and news about music in Chicago

Raw Material: Indie Music Gears Up for Spring

Alt-Rock, Chicago Artists, Festivals, Indie Rock, News and Dish, Record Store Day, Record Stores, Rock No Comments »
StarsAlign-McGillMullenhour

Cameron McGill, Angela Mullenhour

By Keidra Chaney

It’s hard to believe we’re already four months into 2015. It’s particularly unbelievable that—at least to me—it’s so far been a pretty uneventful year for indie music, local or otherwise. Of course the weather’s been in a pretty soul-killing state until very recently, which has made going out for live music a bit more of a chore, but there’s also been something of a demo drought in my neck of the woods. There’s plenty of time to catch up, and Chicago tends to be at its best in spring and summer, so it’s my hope that the next few months will make up for a rather barren winter of music news and events.

That’s not to say that there’s not some good live music to check out in the next few weeks. I mentioned the Gapers Block-sponsored “Stars Align” series several columns ago; it features two musicians from different local bands collaborating for a one-night-only live performance. This month’s show, on April 16, promises to be a special one, because instead of performing covers or each other’s tunes, singer-songwriters Cameron McGill and Angela Mullenhour (of the band Coins) will perform newly co-written original songs at GMan Tavern (3740 North Clark). The show’s free, as usual for the series, and starts at 7:30pm. Read the rest of this entry »

Offbeat: Pacifica Explores WWI’s Impact on Music; a Monument to a Beloved Critic

Chamber Music, Chicago Artists, Classical, Festivals, In Memoriam, Interviews, New Music, News and Dish No Comments »
Pacifica Quartet: Masumi Per Rostad, Sibbi Bernhardsson, Simin Ganatra, Brandon Vamos

Pacifica Quartet: Masumi Per Rostad, Sibbi Bernhardsson, Simin Ganatra, Brandon Vamos

By Dennis Polkow

The diversity of music that was composed during the First World War will be spotlighted during a special Pacifica Quartet-conceived University of Chicago Presents festival called “Centenary Weekend: The Crossroads of World War I and Music,” which will include six concerts across a single weekend.

“We did a recording eight years ago called ‘Declarations’ which was music written between the wars,” explains Pacifica violinist Sibbi Bernhardsson. “One of the things we have been talking about a lot was that the early part of the twentieth century was perhaps the most varied time when it came to different types of great music being written, different styles and idioms when there was so much going on. Entering into the centennial of World War I, we thought it would be interesting to make a festival where we highlighted exactly that.” Read the rest of this entry »

Offbeat: Cristina Pato Takes a Bagpipe “Voyage” and Bruce Tammen Pursues His “Passion”

Celtic, Chamber Music, Chicago Artists, Classical, Folk, Interviews, Jazz, Latin, New Music, News and Dish, Orchestral, Pop, Vocal Music No Comments »
Christina Pato

Cristina Pato

By Dennis Polkow

Spanish bagpiper and pianist Cristina Pato realizes that there are lots of concertos for various solo instruments and orchestra out there—but bagpipes? “I don’t have the ability to be able to compose an orchestra piece,” she admits, “but I do have the ability to commission a composer and to open the interest of orchestras to play it.” Read the rest of this entry »

Offbeat: Aimard Returns to Boulez, Muti Mourns Patner

Chamber Music, Chicago Artists, Classical, Experimental, In Memoriam, Interviews, Jazz, New Music, News and Dish, Orchestral, Vocal Music No Comments »
Pierre Boulez and Pierre-Laurent Aimard / Photo: Roger Mastroianni

Pierre Boulez and Pierre-Laurent Aimard / Photo: Roger Mastroianni

By Dennis Polkow

When French pianist Pierre-Laurent Aimard came to Chicago in 1986, it was as a member of Pierre Boulez’s l’Ensemble InterContemporain for a week of performances. At that time, Aimard had already been playing with the Ensemble since its inception a decade earlier.

“It was such an exciting time,” Aimard recalls. “Boulez had been active abroad and was living in Germany but the moment he came back to France, there was so much anticipation.” Boulez did not disappoint: he founded the Paris-based IRCAM, the Institute for Research and Coordination in Acoustics and Music, with the goal of enlarging the domain of materials used for music. That goal was embraced by musicians of all genres and even brought Frank Zappa to Boulez.

When Boulez himself asked Aimard to join IRCAM’s new resident ensemble, “it was a privilege, and I thought I would be there for a couple of years.” He would remain for eighteen years, before finally setting off to have a career of his own in 1994. “I was overwhelmed by the power of his artistry, of his musicianship, his fabulous intellect, his work ethic and the commitment that he gave to all of the pieces he was serving. It was a happy eighteen years.” Read the rest of this entry »

Offbeat: Tobias Picker Does Not Live By Opera Alone, Peter Yarrow Still Hammering All Over This Land

Chamber Music, Chicago Artists, Classical, Folk, Folk-rock, Interviews, New Music, News and Dish, Orchestral, Singer-Songwriter, Vocal Music No Comments »
Tobias Picker/Photo: Harry Heleotis

Tobias Picker/Photo: Harry Heleotis

By Dennis Polkow

“I bristle at being called an opera composer,” says Tobias Picker, whose “Thérèse Raquin” runs at Chicago Opera Theater this month. “There are composers today and in the past who basically only write operas: Verdi and Puccini, that’s mainly what they did, and Wagner, too. It doesn’t apply to me because the majority of music that I write is not opera.

“Right now, I’m writing a Concerto for Orchestra for the Kennedy Center for the National Symphony. Between my last two operas I wrote a new string quartet, my second, a new piano quintet and a ballet. And I wrote some piano music and some other things I don’t remember… The operas are the biggest art form so they get the most attention and notice because they incorporate every other art form. But my orchestral tone poem ‘Old and Lost Rivers’ is more famous, more performed and more known than any opera I ever wrote.” Read the rest of this entry »

Offbeat: Zap Mama Teams with Antibalas, Gunther Schuller Twines Jazz and Classical

Afrobeat, Big Band, Chamber Music, Chicago Artists, Classical, Experimental, Interviews, Jazz, New Music, News and Dish, Orchestral, Vocal Music, World Music No Comments »
Marie Daulne of Zap Mama

Marie Daulne of Zap Mama

By Dennis Polkow

Marie Daulne, founder and lead singer of the Afropop female group Zap Mama, has always straddled two continents. She never knew her European father; he was killed at the hands of Simba rebels in the Congo, where Daulne was born and from where she, her mother and sisters escaped to live in her father’s native Belgium.

One of Daulne’s primary influences growing up was Afrobeat and Fela Kuti. “All Africans living in Europe listened to him,” she says. She even saw Kuti perform as a teenager and was delighted years later when she was living in New York and “Fela!” opened on Broadway. “Prior to that, the most African thing on Broadway was ‘The Lion King’! I returned to the show several times to see Antibalas perform.” Antibalas is the Brooklyn-based Afrobeat ensemble that arranged and performed all of the music for “Fela!,” modeled on Kuti’s own Africa 70 band. Read the rest of this entry »

Offbeat: Shulamit Ran on Fifty Years of Contempo and John Eaton on Setting Death to Music

Chamber Music, Chicago Artists, Classical, Experimental, Interviews, Jazz, New Music, News and Dish, Vocal Music, World Music No Comments »
Shulamit Ran (Photo: Laura Hamm)

Shulamit Ran/Photo: Laura Hamm

By Dennis Polkow

Some forty-plus years later, composer Shulamit Ran still recalls her first exposure to the music of Ralph Shapey, the legendary University of Chicago composer and founder of the Contemporary Chamber Players (later known as “Contempo” for short). “It was in New York,” she says. “I do remember very distinctly feeling that this was powerful music, that for all of its high dissonance and rigor, it was music that spoke from the heart and had a passion and a specificity about it that I really appreciated.”

Much to Ran’s surprise, Shapey had come across an LP of a work of hers that impressed him so much that he sought her out for a composition position at UChicago. “It was very strange,” Ran recalls; “I knew no one in Chicago and had never been there, but once [Shapey and I] met, there was an immediate meeting of the minds… some sort of fundamental musical affinity.” Read the rest of this entry »

Offbeat: An Eclectic “Messiah” for a Diverse Holiday, Muti on Scriabin as the Next Mahler

Big Band, Blues, Chamber Music, Chicago Artists, Classical, Holiday Music, Interviews, Jazz, New Music, News and Dish, Orchestral, R&B, Reggae, Rock, Soul, Vocal Music No Comments »
Alfreda Burke and Rodrick Dixon

Alfreda Burke and Rodrick Dixon

By Dennis Polkow

“We’re both preachers’ kids,” says soprano Alfreda Burke of herself and husband, tenor Rodrick Dixon. “And as classical singers, we had both done our share of traditional Handel ‘Messiah’ performances.”

For the past ten years, however, the couple has been headlining the “Too Hot to Handel: A Jazz-Gospel Messiah,” each Martin Luther King Jr. Day weekend at the Auditorium Theatre. With the Auditorium celebrating its 125th anniversary this season and these being the tenth anniversary Chicago performances of “Too Hot to Handel,” Burke says “this is going to be a very festive celebration this time around.”

“It really started with [conductor] Marin Alsop in New York City with the Concordia Orchestra,” explains Dixon, who became familiar with the piece by being asked to substitute for Thomas Young, the work’s original tenor. “Marin had commissioned it from Bob Christianson and Gary Anderson, to do a whole rearrangement of Handel’s ‘Messiah’ with a modern twist that kept the famous melodies that people have come to love all over the world, except modernizing them in the sense of jazz, gospel, blues and some cinematic orchestration ideas that Bob and Gary were very well known for in New York.” Read the rest of this entry »

Newcity’s Top 5 of Everything 2014: Music

Lists and Guides No Comments »

Top 5 Jazz Albums of 2014
Catherine Russell, “Bring It Back” (Jazz Village)
Caetano Veloso, “Abraçaço” (Nonesuch)
Vijay Iyer, “Mutations” (ECM)
Sonny Rollins, “Road Shows, Volume 3” (Doxy/Okeh)
Keith Jarrett/Charlie Haden, “Last Dance” (ECM)
—Robert Rodi

Top 5 Classical Albums of 2014
Jonas Kaufmann, Schubert “Winterreise” (Sony Classical)
Cecilia Bartoli, “St. Petersburg” (Universal Music Classics)
Gabrieli Consort, Britten “War Requiem” (Winged LIon/Signum)
La Compagnia del Madrigale, Marenzio “Primo libro di madrigali” (Glossa)
Igor Levit, Beethoven “The Late Piano Sonatas” (Sony)
—Robert Rodi

Top 5 Shows by Older Performers of 2014
Television at Bottom Lounge, September 14
Sonics at Double Door, February 27
Kraftwerk at Riviera, March 27
New Order at Aragon, July 1
Bryan Ferry at Chicago Theatre, September 21
—Bart Lazar Read the rest of this entry »

Offbeat: New Philharmonic Revels in a Viennese New Year’s Eve; Roy Hargrove Clubs it for the Holidays

Afro-Cuban, Blues, Chicago Artists, Classical, Holiday Music, Interviews, Jazz, News and Dish, Orchestral, Vocal Music No Comments »
New Year's Eve with the New Philharmonic

New Year’s Eve with the New Philharmonic

By Dennis Polkow

Ringing in the New Year with the New Philharmonic has become such a popular tradition in the western suburbs that this December 31, the College of DuPage-based professional orchestra is adding a third pops concert at its newly renovated concert hall, the McAninch Arts Center.

“The tradition began as an experiment,” explains New Philharmonic music director Kirk Muspratt. “People are always looking for something to do on New Year’s Eve, so my feeling was that we should try a classy event, something very intelligent and fun, using the Vienna Philharmonic New Year’s concerts as a model.”

The nine o’clock debut concert sold out so quickly that a second five o’clock concert was added the following year. “We tried offering two concerts for three or four years,” says Muspratt, “but we were still always leaving two-hundred people out in the cold waiting for tickets.” Thus, the thought to add a third concert this year, at one o’clock in the afternoon.

Muspratt admits that what began as a Vienna template has evolved into something far more eclectic. “I went to school in Vienna at the Conservatory, so am very at home in that tradition. We originally did light classical: some Lehár, some Johann Strauss, maybe some Rossini. Little by little, as the audience responded to new things, the thinking broadened and it was like, ‘Let’s have a little French twist,’ and we’d add some Saint-Saëns. Then we began doing some American things that were very well received. People like the mix, the variety and it has evolved into a pastiche of music.” Read the rest of this entry »