Photo: Nikki Benson
The glitchy, trippy music of Seattle-based duo Shabazz Palaces is hip-hop for sound and noise nerds, much more concerned with exploring different musical palettes and textures than creating beats to nod your head to. Ishmael Butler (formerly of Digable Planets) has a history of creating hip-hop with a solid foundation in jazz-influenced musicianship. With Shabazz Palaces, Butler goes even bolder and more experimental in his musical collaboration with multi-instrumentalist Tendai “Baba” Maraire. Together, they eschew sampling of existing songs and dare to create new patterns of melody and rhythm with drum machines, synth, samplers and various forms of percussive instruments. It’s hip-hop that tells a story through words and music and defies simple descriptions. Read the rest of this entry »
Chicago singer-songwriter Steve Dawson’s main band is Dolly Varden, which has been making smart and soulful folk-rock for twenty years, but he has a second group now. His new album, due for release on September 30, is the self-titled debut of Steve Dawson’s Funeral Bonsai Wedding, a collaboration with three local jazz musicians who are noted for their inventiveness: vibraphonist Jason Adasiewicz, drummer Frank Rosaly and bassist Jason Roebke. Read the rest of this entry »
Chicago punk stalwarts Rise Against are in celebratory mode, commemorating both the tenth anniversary of Riot Fest (they’re multi-year veterans) and their fifteenth year as a band. They’ve returned from a fairly lengthy break only to achieve an unlikely coup for a contemporary rock band. More than three years after the release of their last album, “Endgame,” the band’s most recent album “The Black Market” debuted at No. 3 on the Billboard 200. It’s little wonder after hearing the album’s first single “I Don’t Want To Be Here Anymore” a catchy and melodic hard-driver that definitely leans more heavily in the direction of the band’s poppier releases. “The Black Market” certainly doesn’t lack in the political screeds that Rise Against are well-known for, but it’s clear that the band’s more personal and introspective focus is in the forefront here. Read the rest of this entry »
A not-so-secret sister act from Muscle Shoals, Alabama, Laura and Lydia Rogers meld Southern gothic style, gorgeous, longing melodies and an energy that seems a little bit indie rock, even though they are all country. And vintage country too, much more in line with Patsy Cline than Carrie Underwood. The duo recently re-released a special edition of their latest album “Put Your Needle Down”—through Cracker Barrel, no less—and made a buzz after a recent appearance on “Late Night with Jimmy Fallon,” singing their ode to doomed love and murder, “Iuka.” Read the rest of this entry »
The Handsome Family/Photo: Jason Creps
Between Pitchfork, Lolla, North Coast, and Riot Fest— not to mention all of the neighborhood festivals in between them all—Chicago has become Music Fest Central. As a result, the AV Fest/Hideout Block Party has gotten somewhat lost in the crowd in the past few years, despite a consistently solid lineup. These days the now-unified festival (Hideout and Onion’s A.V. Club joined festival forces back in 2012) has assumed more of a local fest identity, rather than a festival with national or international aspirations. Its local feel is far from a demotion, however, with national acts like Death Cab For Cutie, The War on Drugs, and Dismemberment Plan headlining. Read the rest of this entry »
By Keidra Chaney
Everyone loves a good rock ‘n’ roll success story. You know the one: the scrappy band of musicians, armed with nothing more than raw talent and dreams, hustle their way to nationwide, major-label success. But these days such stories are few and far between, and for every rock-star success story that’s told, there are always several, lesser-known stories of industry mainstays that get short shrift.
For example, Greg Fulton: active in the Chicago music scene since his days as a Columbia College student in the 1980s, Fulton is currently the founder, guitarist, and vocalist of Sweet Diezel Jenkins, a Chicago-based “party band” that does mashup-style covers of R & B and pop hits. Can you imagine a funk-infused mashup of Sisqo’s “Thong Song” and Nirvana’s “Smells Like Teen Spirit”? Sweet Diezel Jenkins manages to pull it off with aplomb. SDJ has a regular gig at Red Line Tap in Rogers Park on most Wednesday nights, and the band regularly plays out at bars and festivals across the midwest, from Ohio to Michigan.
But little known to many, Fulton also represents a slice of Chicago heavy metal history, as the founding member of several metal bands: Znowhite, Cyclone Temple, and Rebels Without Applause. Znowhite, founded in 1982, was featured in a volume of the iconic “Metal Massacre” song compilation alongside a then-unknown Slayer. (Fulton is listed on Znowhite albums under his stage name, “Ian Tafoya.” He managed the band under his own name.) Read the rest of this entry »
Though a longtime resident of the East Coast, saxophonist, professor and bandleader Miguel Zenón never quite let go of the rhythms of his native Puerto Rico, and often incorporates their sounds from a contemporary jazz point of view. Over a decade working as a bandleader (he has done side work with the likes of Edsel Gomez, Brian Lynch and Edmar Castañeda) with his quartet, he has explored and experimented with various rhythms and grooves and developed them as a fodder for free improvisation. Read the rest of this entry »
If you cannot be in Crescent City, listening to veteran trumpeter and singer Kermit Ruffins definitely takes you there. With his sharp and lively tone, he plays songs that celebrate his homeland. Examples include “Drop Me Off in New Orleans” and “When I Die, You Better Second Line.” He is clearly not one to do any contemporary-style material—his sound embodies the early traditions of jazz laid out by Louis Armstrong, who is revered and celebrated today from the park that takes his name to the streets where marching bands that play year-round to the delights of locals and visitors alike. Read the rest of this entry »
Forty years ago this month on August 9, 1974, legendary trumpeter Bill Chase and three other band members of the pioneering jazz-rock fusion group Chase were killed in a plane crash on the way to perform at the Jackson County Fair in Minnesota.
“In retrospect, it seemed inevitable,” admits original Chase bassist Dennis Keith Johnson, who recalls a number of “close calls” in the days he was with the band. “One winter, our concert ended early, so we thought, ‘Let’s fly to the next gig tonight.’ It had snowed, but our pilot wasn’t concerned and said he would just run the plane down the runway and blow the snow off. He cranked it and you could feel the tail going down and could hear both engines shutting down. The next thing you know, we’re all asked to get out and ‘push the plane.’ We got out and the nose of the plane was sticking out over a seventy-five-foot drop over a four-lane highway and we all had to push an 18,000 pound DC3 back on to the runway!”
Johnson, who is best-known in the years since Chase for having been a founding member and original bassist of the group Survivor and for leading the Dennis Keith Experience, is organizing what he describes as “the last call” performances of “Chase Revisited” to commemorate the fortieth anniversary of that fatal plane crash and to coincide with the band’s induction into the Iowa Rock ‘n’ Roll Music Association Hall of Fame on August 31 in Arnolds Park, Iowa, as well as with the Chicago Jazz Festival. Read the rest of this entry »
“Metal” is a very broad term, roping together a sweeping mass of bands that do not necessarily belong in the same genre. Sleep falls into this category, stoner metal specifically, but denies the stereotypes that make metal as a whole sound shallow. Their songs are essentially full albums with well thought-out compositions. Sleep knows how to find a hook and blow it up tenfold into long, massive songs that fade into each other and make longer, more narrative pieces. It’s difficult to find parallels between Sleep and certain godfathers of metal because they have moved beyond the blueprints set up for them. Sleep is evidence that metal has almost untraceably evolved since its beginnings. Read the rest of this entry »