By Dennis Polkow
It’s a busy holiday season for the “People’s Diva,” Renée Fleming: not only has the soprano released her first-ever Christmas album, “Christmas in New York” (Decca), but PBS has produced a television special on the making of the album. As if that weren’t enough, Fleming sang at the Macy’s Thanksgiving Day Parade and is opening a new production of “The Merry Widow” at the Metropolitan Opera on New Year’s Eve, with Lyric Opera music director Sir Andrew Davis at the podium.
Christmas itself, however, Fleming admits, will remain a family affair. “My whole family sings like crazy,” says Fleming. “When we decorate the tree, my daughters and I have a major impromptu scat-singing festival.” It’s this spirit that informs the eclectic approach of “Christmas in New York,” on which Fleming performs with guest artists Wynton Marsalis, Gregory Porter, Kelli O’Hara, Chris Botti, Brad Mehldau, Rufus Wainwright and Chicago jazz singer Kurt Elling.
For those expecting a killer rendition of “O Holy Night” or “Ave Maria,” think again. “That was my expectation as well,” laughs Fleming. “I just assumed when I would finally do a Christmas album, it would be that Karajan-Vienna Philharmonic-Leontyne Price template. But this came together in a different way and Universal had a different idea about it.
“I stayed away from carols for the most part, except for ‘Stille, Stille, Stille.’ I also went to my collaborators and said, ‘What would you like to do?’ I took their lead in many cases. Since this took about nine months to really finish up, I worried for a while about it coming together in a way that would make it feel like a whole, but it did. There was enough variety on it to enable it to have that sense of different things coming together.” Read the rest of this entry »