Reviews, profiles and news about music in Chicago

Preview: Speedy Ortiz/Empty Bottle

Alt-Rock, Indie Rock No Comments »

RECOMMENDEDSpeedyOrtiz_MA013

With plenty of nods to Pavement and other nineties alt-rock greats, the Massachusetts four-piece Speedy Ortiz stakes out its own territory on the merit of its whip-smart lyrics and eschewing of self-seriousness. The band self-identifies as part of the “snack rock” genre, and the quartet’s LiveJournal (the very existence of which is a bit offbeat) documents their life on the road with each post featuring a “pup of the day.” Put together, this might be the perfect setup for an eye-roll, if not for Sadie Dupuis’ knack for poetic songwriting and Speedy Ortiz’s gleefully wandering arrangements heavy on distortion but anchored by catchy, knotty hooks. Read the rest of this entry »

Private Access to Public Personas: Cutting Loose with Basic Cable

Chicago Artists, Interviews, Punk, Rock No Comments »

By Kenneth Preski

Photo: Sarah Hess

Photo: Sarah Hess

Maintaining a sense of journalistic objectivity about Basic Cable is impossible. Beyond band duties, bassist Luca Cimarusti is the music listings coordinator at the Chicago Reader, and drummer Ryan Duggan is a prolific designer whose work includes last fall’s “Art 50″ cover for Newcity. The group’s reward for being so intimately involved in Chicago’s music scene has been a local press vacuum for their latest project. Highfalutin ideals are fine fodder for fools and philosophers, and being a bit of both presented the perfect opportunity for me to defy all proper notions of my profession. In short: if local publications must ignore their own for fear of impropriety, then it’s the fool’s duty to challenge the philosophical framework preventing profoundly relevant artists from being properly covered. No problem playing the fool here, I have much experience in this regard with the men of Basic Cable. Two members and me share a hometown. I’ve known Luca as Luke since I was fourteen and bummed rides off of him to local punk shows. I’ve know Michael John Grant, guitarist and primary vocalist, as MJ since around the same time. Knowing what I know, I made sure to eat an early dinner before sitting down for an interview with the group. These guys can drink. Read the rest of this entry »

Preview: Earth/Empty Bottle

Ambient, Drone, Experimental, Metal, Minimalism, Noise No Comments »

RECOMMENDEDearth-group

When Black Sabbath abandoned the name Earth, it was left for Dylan Carlson’s crew to assume two decades later. Earth’s mythology and music from the early nineties have proven to be equally formidable forces. Their seminal “Earth 2” is regarded as the first drone metal album, though their stint on Sub Pop is considered the beneficial byproduct of a close friendship with Kurt Cobain. Carlson and Cobain were former roommates, confidants and co-dependent drug users; their camaraderie culminating in Cobain’s suicide via a shotgun purchased in Carlson’s name. Two more albums were issued on Sub Pop, the epic distortion excursions of their genre-defining masterpiece tapered to shorter outbursts edging toward standard song length, replete with a Hendrix cover. And then, radio silence. In recent interviews, Carlson has credited this lost time to a continued struggle with drug addiction and depression, but by the mid-aughts, Earth had begun playing out again, revitalized by the inclusion of Carlson’s wife Adrienne Davies on drums, and supported by the successes of bands like Sunn O))) who owe much to the genre’s forebears. Read the rest of this entry »

Still Spinning Strong: Getting to the Heart of Soul Togetherness USA

Chicago Artists, DJ, Festivals, Funk, Soul No Comments »
Photo: Whitney Ross

Photo: Whitney Ross

By Jessica Burg

The universal truth that music is best when shared remains unequivocal. For the last forty years, folks have traveled distances far and wide in pursuit of one of America’s original treasures, 1960s soul music. Over weekend-long parties they celebrate camaraderie, record trading, drinking (for some, not all) and most importantly, dancing till the wee hours of the morning. There are two standout characteristics to this little-known tradition, which has come to be known as a Northern Soul weekender. The first is that the songs they play aren’t the familiar standbys most often affiliated with the era—the Temptations or Otis Redding. The second is that you’d be hard-pressed to find anything like it going down on American soil. In fact, you’d have to make the stretch across the pond to England or another part of Europe. That was until Pilsen residents Kevin Jones and Brenda Hernandez held the first ever Soul Togetherness USA event in 2013. This year’s weekender incorporates four nights of free (that’s right, free!) local, national and international DJs, a record swap and Soul Serenade bus tour, making it the only bash of its kind in the States with the exception of Soul Trip USA, a European export. Read the rest of this entry »

At Attention: Chicago Underground Heroes ONO Refine Their Decades-Old Sonic Mission

Chicago Artists, Experimental, Interviews No Comments »
Photo: Flint Chaney

Photo: Flint Chaney

By Dave Cantor

ONO’s singer says he doesn’t listen to its recordings. It’d make him too nervous. Sometimes, travis says, it’s hard enough just to record. It could be because what travis has written clearly comes from contemplation of his military experience; a track called “Army” finds inclusion on the band’s “Diegesis,” set to be released by Moniker Records. And while he says performance was a part of his childhood, taking the stage in church and at school, the whole thing’s still a trial.

“There’re all of these people doing sound and noise that are there, and that’s been the case ever since I started playing in Cleveland,” he says of performing music, as opposed to the poetry he started on in that Midwestern city during the late 1960s. “I think there are a lot of facets to my personality—in Mississippi that’s called character…There is some self-hatred that I have and when I’m on stage; there are all these other facets I can overlay.” Read the rest of this entry »

Preview: Clearance/Empty Bottle

Chicago Artists, Indie Rock, Rock No Comments »

RECOMMENDEDClearance

Easy tunes at an easy tempo for Chicago’s Clearance draws clear comparisons to Sebadoh and Pavement, a carefree joy spread over the four (and a half) tracks that comprise their debut seven-inch. Equal parts melodic and nostalgic, “Dixie Motel Two-Step” announces the arrival of a band with little regard for overt rockism, guitar solos kept at a minimum, chunky chords slathered atop rumbling rhythms, an effortless effort if there ever was one. Which isn’t to deny the craft of these young men; it takes a certain cool calm demeanor for Mike Bellis to deliver lines like “I heard you been hung up on the wrong advice / but if it don’t work once, make sure you do it twice,” and not cop to the wry sense of self cultivated by an entire generation of lo-fi indie loyalists. Read the rest of this entry »

Preview: Oozing Wound/Empty Bottle

Chicago Artists, Metal, Noise No Comments »
Photo by Joe Martinez

Photo: Joe Martinez

RECOMMENDED

Was 2013 the year of Oozing Wound? The first 200 copies of the metal band’s Thrill Jockey debut LP arrived to record stores wrapped in a blood-red silk-screened print, flames shooting out of a cratered eyeball, music contained therein thrash enough to earn the name “Retrash,” every bit as glorious as it sounds. If tracks “Autopsy Turvy” or “Sustained By Hatred (Rambo 4)” sound familiar, 2012’s “Vape and Pillage” tape may have turned up in your collection, a welcome addition to any fan of smart speed metal with a sense of humor. Hence the type of gross fun one encounters when Googling their drummer’s record label “Rotted Tooth,” a local mainstay for the best punk-metal oddities around. Read the rest of this entry »

Preview: Natural Information Society/Empty Bottle

Chicago Artists, Jazz, New Music, World Music No Comments »

RECOMMENDEDJoshua Abrams

Trading in Joshua Abrams’ “Represencing” release is a lucrative practice. Somehow the 550-copy, vinyl-only album hasn’t become widespread in digital form during the past year, raising the resale price of the artifact while maintaining the mystique of its allure to those with the pleasure of owning it. The worldwide acclaim is justified—it’s an instant classic—Chicagoan by way of Southern Morocco, where The Gnaoua World Music Festival is held. There, the guimbri, a three-stringed bass made out of animal hide, is mystically employed by the Gnawa in a dialogue with Westernized guest jazz, pop and rock musicians, an event of immense local import. Attendance averages half a million people over four days, and many of the performances are free of charge. Read the rest of this entry »

Celestial Celebration: Ken Camden on Kranky’s Twentieth

Ambient, Chicago Artists, Experimental, Festivals, Indie Rock, Krautrock, Minimalism, New Music, Post-Rock, Rock, Space Pop No Comments »
Ken Camden

Ken Camden

By Kenneth Preski

Kranky is the most high-profile, under the radar record label that calls Chicago home. For the past twenty years, founder Joel Leoschke has fostered a stable of uncompromising, unpretentious artists whose work may have gone unreleased were it not for his uncanny knack for curation. The thread drawing together outfits as disparate as Deerhunter and Stars of the Lid has united musicians worldwide under one umbrella: part ambient, part electronic, part black earth rock ‘n’ roll. And “Black Earth” might be the best description available for the abstract sound Leoschke is after. As the title of local quartet Implodes’ full-length debut suggests, there’s an engrossing mysticism at work in much of the Kranky repertoire. The solo recordings of Implodes’ guitarist Ken Camden echoes this boundless energy, but even he is quick to acknowledge the fleeting nature of his alchemy, and his hesitancy to share it.

“I’ve always been making recordings at home and stuff, but I’m kinda bashful and wasn’t about to slip [Leoschke] a tape or anything.”

Cajoling artists of this ilk is an elusive art form, something Leoschke has perfected. Somehow he’s managed to cater to the cagey, artists wise enough to avoid making a deal when they needn’t, musicians hungry for harmony on a cosmic scale rather than the fleeting fame offered by superficial scenesters. Art of this kind often has a unique origin story. Read the rest of this entry »

Preview: Plastic Crimewave Sound/Empty Bottle

Chicago Artists, Jam Band, Psychedelic No Comments »

pcws3RECOMMENDED

Celebrating the demise of something seems counterintuitive and anti-climatic, but Plastic Crimewave Sound isn’t just some buncha Chicago jerks; it’s these Chicago jerks, fronted by the ever-mustachioed Plastic Crimewave. Sure, the ridiculous heights of recording with Ya Ho Wah 13’s Djin Aquarian likely aren’t forthcoming, but there are scant dudes who can say they’ve even had the opportunity to perform with that sub-terra legend. Whatever counted as the troupe’s regular lineup apparently disintegrated sometime last spring, the travails of everyday life being cited as the main reason. You know, babies and marriage? All this PCS hoopla, though, surrounds the group’s (probable) final recording, a tape-only affair being issued through an imprint helmed by Running’s bassist. Read the rest of this entry »