With a selection of hip-hop artists both mainstream and underground, the current Rock the Bells tour will satisfy everyone’s needs, especially those turned-off by the hipper-than-thou nature of this weekend’s Pitchfork Music Festival. Heavy-hitters A Tribe Called Quest, Nas, De La Soul and Mos Def headline, all considerable must-sees whenever they tour through town individually. (De La Soul’s performance last year at Pitchfork, funny enough, was one of the finest shows of the summer.) Also on the bill are the respectable The Pharcyde, Rakim and the always-amusing Method Man and Redman, plus the lesser-known Immortal Technique, Dead Prez, Murs and Jay Electronica. The day of topnotch hip-hop is worth the journey down to Tinley Park, for sure. Wow, that’s a sentence not written very often. (Tom Lynch)
Rock the Bells drops July 19 at First Midwest Bank Amphitheatre, 19100 Ridgeland Avenue, Tinley Park, (708)614-1616, at noon. $40-$75.
cialis
generic cialis
cheapest cialis
buying generic cialis
cialis for order
what are the side effects of cialis
buy generic cialis
what is the generic name for cialis
cheap cialis
cialis online
buy cialis
cialis side effects
how long does cialis last
cialis forum
cialis lawyer ohio
cialis attorneys
cialis attorney columbus
cialis injury lawyer ohio
cialis injury attorney ohio
cialis injury lawyer columbus
prices cialis
cialis lawyers
cialis lawyer columbus
online generic cialis
daily cialis
cialis injury attorney columbus
cialis attorney ohio
cialis cost
cialis professional
cialis super active
how does cialis work
what does cialis look like
cialis drug
cialis to buy new zealand
cialis without prescription
free cialis
cialis soft tabs
discount cialis
cialis generic
generic cialis from india
cheap cialis sale online
cialis daily
cialis reviews
cialis generico
how can i take cialis
cheap cialis si
Related Stories
God Isn’t My Only Co-Pilot: Post-Rock Thrives On Two New Releases “Twin Hemispheres” is neither the best composition on the band’s new album nor the right choice for the single (which it was), but I’ll be damned if they didn’t position it perfectly as a statement of intent, as if to say, "We are still Pilot Cloud and we’re picking up precisely where we left off. "- Pop-Rock Redux: A Preview of Charly Bliss at Empty Bottle The story is, the band recorded its debut album twice: first as a scrappier indie-rock record, then two years later as a maximal pop statement attuned to the sound they’d honed on tour. They’ve edited their material into engulfing sing-alongs that’ll thrill audiences at small clubs (like the Empty Bottle this month), but that wouldn’t be out of place on…
- The Hardest-Working Man in Rock: A Preview of Steven Wilson at The Vic Theatre Despite his massive output and sterling reputation in the prog and rock world, today Steven Wilson still somehow remains just outside the view of the larger masses. Taking into consideration the fact that most everything Wilson sets out to do is an unqualified success, it's advisable to see him now before that inevitable breakthrough happens.
- Lucky and Well-Deserving Man: A Preview of Carl Palmer's ELP Legacy at Reggies Rock Club Carl Palmer decided to trade on his fame and reputation, but has done so in a brilliantly innovative manner.
- Well Said: A Review of Flamingo Rodeo’s “Said Unsaid” Lush and likable, well-behaved but memorable, you'll be glad to have this flamingo around.
- Drop and Go: A Review of Chris Greene Quartet’s “PlaySPACE” Chris Greene Quartet isn’t the first music act to drop a surprise album; over the past several year’s we’ve seen out-of-nowhere releases from everyone from Beyoncé to Wilco. As a marketing gimmick, it’s got something to recommend it; you can’t really listen to “PlaySPACE,” for instance, without ending up wanting to go see CGQ …, well, play SPACE.
