Having spent most of September triumphantly touring Europe with Bernard Haitink, the Chicago Symphony Orchestra returns home to start the new season a bit late but with a program well worth the wait. Soprano superstar Renée Fleming, whose appearances at Lyric Opera have steadily dwindled as her international popularity has increased, makes her only area appearance this season in a program that includes her traversing Samuel Barber’s “Knoxville: Summer of 1915,” an evocative and nostalgic vocal tone poem that manages to catch the lazy mood of a summer evening in the deep South nearly a century ago. Fleming is one of our best interpreters of the sumptuous music of Richard Strauss, which has been AWOL at Lyric Opera now for two seasons in a row. She will sing four of his orchestral songs—“Freundliche Vision,” “Zueignung,” “Winterweihe”and“Verführung” as only Fleming can, and given the sense of occasion and the usually frantic response of the crowd, expect encores, perhaps even an operatic morsel or two to tide us over until Lyric is able to engage her again. Also on the program is Strauss’ orchestral tone poem, “Till Eulenspiegel,” a CSO staple, and Leonard Bernstein’s Divertimento for Orchestra. Bernstein also figures heavily in a one-night-only pre-opening-night concert that includes his colorful “Candide” Overture and his “Serenade” for violin and orchestra based on Plato’s “Symposium” that will feature the CSO debut of Israeli violinist Vadim Gluzman. Bartók’s “Concerto for Orchestra,” a spectacular CSO signature piece, will close out that concert; both will be conducted byPaavo Järvi. (Dennis Polkow)
October 3, Orchestra Hall at Symphony Center, 220 N. Michigan, (312)294-3000, 7pm.
Dennis Polkow is an award-winning veteran journalist, critic, author, broadcaster and educator. He made his stage debut at age five, was a child art prodigy and began playing keyboards in clubs at the age of fourteen. He holds degrees in music theory, composition, religious studies and philosophy from DePaul University in Chicago. Polkow spent his early years performing and recording in rock and jazz bands while concertizing as a classical pianist, organist and harpsichordist and composing, arranging and producing for other artists. As a scholar, Polkow has published and lectured extensively and taught at several colleges and universities in various departments. As an actor, narrator and consultant, Polkow has been involved with numerous films, plays, broadcasts and documentaries. As a journalist, Polkow helped co-create the experiential Chicago Musicale and Spotlight, the award-winning tabloid arts and entertainment section of the Press Publications chain of newspapers, which he later edited. He also created and ran the nationally recognized journalism program at Oakton College and was faculty advisor to its award-winning student newspaper; many former students went on to major media careers, including Channel Awesome’s the Nostalgia Critic. Polkow’s research, interviews, features, reviews and commentaries have appeared across national and international media and he has corresponded from the Middle East, Asia and Africa for the Chicago Tribune. Contact: dpolkow25@aol.com
David Berman, One Night That midsummer night, David Berman kept at his post at the crook of the bar. White light on face, halation, white reflected on smudged lenses, halo.
Chicago Symphony Conundrum: Why Does the Best Get Paid Like the Rest? Imagine if the Chicago Bulls of the Michael Jordan era that won six NBA championships were being paid at levels lower than mediocre teams and you have a sense of why the players of the CSO took a vote on February 13 to “overwhelmingly” authorize a strike on March 10, after nearly a year of fruitless contract negotiations and after…
