In case you weren’t paying attention, 2010 marks the 400th anniversary of one of the most innovative and glorious works of the Renaissance era, Monteverdi’s “Vespers of the Blessed Virgin,” more commonly known as “Vespers of 1610.” To celebrate the occasion, the a cappella choral ensemble Bella Voce is joining forces with violinists Rachel Barton Pine and Martin Davids, along with Davids’ period-instrument-ensemble The Callipygian Players, for a rare area performance of the masterpiece that, along with its companion piece, the opera “L’Orfeo,” helped change the course of Western music.
In a press release, Bella Voce music director Andrew Lewis—who will conduct these performances—describes Monteverdi as “a composer of astonishing creativity, [who] forever changed the way we think about music. Renaissance polyphony, based on the Church Modes, made way for functional harmony—an innovation to which even rock ‘n’ roll owes its existence. Monteverdi’s masterpiece is super-charged with rhythmic and spiritual intensity.”
The particulars of how and why this extraordinary work came into being have been lost to us, but conductor John Eliot Gardiner has theorized that it was a portfolio piece that Monteverdi wrote for St. Mark’s in Venice, where he did end up getting a job and for whose acoustics the piece fits perfectly. Like St. Mark’s itself, a temple more than a church containing Byzantine treasures of conquest that give it a distinctively Eastern feel, Monteverdi wrote a piece that is a musical collage containing many spectacular sections that function as the aural equivalent of a Byzantine mosaic with rich use of gold. By dedicating the piece to the Blessed Virgin, the patroness of Venice, Gardiner feels that would have clinched the deal. (Dennis Polkow)
Bella Voce performs Monteverdi’s Vespers March 27, 7:30pm, Glenview Community Church, 1000 Elm, Glenview; March 28, 7:30pm, University of Chicago’s Rockefeller Memorial Chapel, 5850 S. Woodlawn; March 29, 7:3opm, Millennium Park’s Harris Theater, 205 E. Randolph, (312)479-1096. $15-$35.
Dennis Polkow is an award-winning veteran journalist, critic, author, broadcaster and educator. He made his stage debut at age five, was a child art prodigy and began playing keyboards in clubs at the age of fourteen. He holds degrees in music theory, composition, religious studies and philosophy from DePaul University in Chicago. Polkow spent his early years performing and recording in rock and jazz bands while concertizing as a classical pianist, organist and harpsichordist and composing, arranging and producing for other artists. As a scholar, Polkow has published and lectured extensively and taught at several colleges and universities in various departments. As an actor, narrator and consultant, Polkow has been involved with numerous films, plays, broadcasts and documentaries. As a journalist, Polkow helped co-create the experiential Chicago Musicale and Spotlight, the award-winning tabloid arts and entertainment section of the Press Publications chain of newspapers, which he later edited. He also created and ran the nationally recognized journalism program at Oakton College and was faculty advisor to its award-winning student newspaper; many former students went on to major media careers, including Channel Awesome’s the Nostalgia Critic. Polkow’s research, interviews, features, reviews and commentaries have appeared across national and international media and he has corresponded from the Middle East, Asia and Africa for the Chicago Tribune. Contact: firstname.lastname@example.org