British composer Sir Michael Tippett used to be a regular visitor to Chicago back in the days when then-Chicago Symphony Orchestra music director Sir Georg Solti would champion and perform his music and even managed to commission a piece from him, a 1991 CSO centennial work called “Byzantium” which the world-premiere forces even recorded.
Lyric Opera music director Sir Andrew Davis picked up the Tippett mantle since arriving here in 2000, spearheading the Chicago premiere of Tippett’s opera “The Midsummer Marriage,” a work ignored during Lyric’s longtime “Toward the 21st Century” initiative and which was given a 2005 premiere so long overdue that its composer, who died in 1998 at the age of 93, was no longer alive to experience it. The difficulties in mounting that production were so immense that Lyric lost its lead tenor and its director, none other than Sir Peter Hall, along the way.
Six months earlier, Davis had led memorable CSO performances of Tippett’s best-known and most loved work, “A Child of Our Time,” which the Grant Park Orchestra is performing this week. On the day that World War II broke out in 1939, Tippett began work on a large-scale oratorio in the Handel oratorio and Bach Passion traditions to address the human struggle for good versus evil in light of Nazi atrocities. Particularly invigorating is Tippett’s use of familiar African-American spirituals that punctuate the work and form its emotional core. That first war-time performance of the work brought enormous inspiration to a Britain battered by war and became a national symbol of hope.
Grant Park Orchestra chorus director Christopher Bell, a master of the choral forms that Tippett’s work incorporates, will conduct the Grant Park Orchestra and Chorus along with guest soloists soprano Jonita Lattimore, mezzo soprano Anita Krause, tenor Garrett Sorenson and bass John Relyea in one of the most anticipated Grant Park concerts of the summer. (Dennis Polkow)
July 23, 6:30pm; July 24, 7:30pm, Millennium Park’s Pritzker Pavilion, (312)742-7638. Free.
Dennis Polkow is an award-winning veteran journalist, critic, author, broadcaster and educator. He made his stage debut at age five, was a child art prodigy and began playing keyboards in clubs at the age of fourteen. He holds degrees in music theory, composition, religious studies and philosophy from DePaul University in Chicago. Polkow spent his early years performing and recording in rock and jazz bands while concertizing as a classical pianist, organist and harpsichordist and composing, arranging and producing for other artists. As a scholar, Polkow has published and lectured extensively and taught at several colleges and universities in various departments. As an actor, narrator and consultant, Polkow has been involved with numerous films, plays, broadcasts and documentaries. As a journalist, Polkow helped co-create the experiential Chicago Musicale and Spotlight, the award-winning tabloid arts and entertainment section of the Press Publications chain of newspapers, which he later edited. He also created and ran the nationally recognized journalism program at Oakton College and was faculty advisor to its award-winning student newspaper; many former students went on to major media careers, including Channel Awesome’s the Nostalgia Critic. Polkow’s research, interviews, features, reviews and commentaries have appeared across national and international media and he has corresponded from the Middle East, Asia and Africa for the Chicago Tribune. Contact: firstname.lastname@example.org