Dvorák is best known as an orchestral composer who wrote bright, Czech-influenced “Slavonic Dances,” symphonies, a memorable cello concerto and chamber music, but the Dvorák who wrote the large-scale choral work “Stabat Mater” represents a more introspective and meditative side of the composer, a man who lost three children within the first four years of his marriage. Turning to the famous medieval poem that portrays the grief of Mary at the foot of the cross of Jesus, Dvorák found setting the text with four soloists and a full chorus and orchestra an expression of his grief.
That work cemented Dvorák’s international reputation and a follow-up commission emerged from England to set a specific text for the same forces, Cardinal John Henry Newman’s “The Dream of Gerontius,” which Elgar would later set and which the Grant Park Orchestra and Chorus performed last season. Dvorák rejected the text and preferred instead a setting of the Catholic Requiem Mass which afforded him the opportunity to offer a contemplative alternative to the bombastic settings of the same text by Berlioz and Verdi.
It is a work that is rarely performed and has a moving effect on both performers and audiences, despite its length of almost ninety minutes, and should provide an extraordinary showcase for the Grant Park Symphony Orchestra and Chorus along with soprano Layla Claire, mezzo-soprano Alexandra Petersamer, tenor Brendan Tuohy and bass Kyle Ketelsen and conductor Carlos Kalmar. (Dennis Polkow)
August 13, 6:30pm, August 14, 7:30pm, Millennium Park’s Pritzker Pavilion, (312)742-7638. Free.
Author: Dennis Polkow
Dennis Polkow is an award-winning veteran journalist, critic, author, broadcaster and educator. He made his stage debut at age five, was a child art prodigy and began playing keyboards in clubs at the age of fourteen. He holds degrees in music theory, composition, religious studies and philosophy from DePaul University in Chicago. Polkow spent his early years performing and recording in rock and jazz bands while concertizing as a classical pianist, organist and harpsichordist and composing, arranging and producing for other artists. As a scholar, Polkow has published and lectured extensively and taught at several colleges and universities in various departments. As an actor, narrator and consultant, Polkow has been involved with numerous films, plays, broadcasts and documentaries. As a journalist, Polkow helped co-create the experiential Chicago Musicale and Spotlight, the award-winning tabloid arts and entertainment section of the Press Publications chain of newspapers, which he later edited. He also created and ran the nationally recognized journalism program at Oakton College and was faculty advisor to its award-winning student newspaper; many former students went on to major media careers, including Channel Awesome’s the Nostalgia Critic. Polkow’s research, interviews, features, reviews and commentaries have appeared across national and international media and he has corresponded from the Middle East, Asia and Africa for the Chicago Tribune. Contact: email@example.com