Because New Zealand soprano Kiri Te Kanawa was a protégée of legendary Chicago Symphony Orchestra music director Sir Georg Solti, Chicago has heard this once-reigning diva at virtually every stage of her career. That included a gala “farewell” two years ago with the orchestra so long associated with her. As reported then, no one says it’s over until the diva says it’s over, and in this case, since Te Kanawa is still in superb voice, she is giving us something as an additional “farewell” that was a real rarity when she was in her prime: an intimate recital.
Among the highlights of Te Kanawa’s many performances here was the glorious Mahler Fourth that she performed and recorded here under Solti and the CSO, and no less than two performances of Desdemona in Verdi’s “Otello,” –one for Solti’s seventieth birthday gala in 1987 with Placido Domingo, another alongside for the first and only time that Luciano Pavarotti ever sang the role for Solti’s own “farewell” performances as CSO music director in 1991, where Te Kanawa sat onstage traumatized by the fact that Pavarotti was attempting to camouflage eating entire chickens onstage when he wasn’t singing and was tossing the chicken bones on the floor next to her. But hey, while Te Kanawa was rehearsing for the world premiere of “Paul McCartney’s Liverpool Oratorio” at Liverpool Cathedral, she freaked out the former Beatle when she began actually scolding tourists who were in her line of sight yards away, asking them to “move along” as if she owned the place. Late and mischievous tenor Jerry Hadley thought the whole thing was hysterical and was doing his best to keep a straight face. Ah yes, they don’t make divas like this anymore.
And yes, Te Kanawa did also sing at Lyric Opera, most recently in a memorable performance of Richard Strauss’ “Capriccio” in the late 1990s, although she frequently cancelled there as well, but that was in the days where diva behavior was more tolerated. Four songs of Richard Strauss, in fact, will be included, including “Morgen,” “Ständchen” from “Sechs Lieder,” “Die Nacht” and “Cäcilie” along with Scarlatti’s “Caldo sangue” from “Il Sedecia,” Vivaldi’s “Io son quel gelsomino” from “Arsilda,” Handel’s “Se pietà di me non senti” from “Giulio Cesare,” Liszt’s “Kling leise, mein Lied,” “Comment, disaient-ils” and “Oh, quand je dors,” Canteloube’s “Chants d’Auvergne,” Rachmaninoff’s “Vocalise,” Guastavino’s “La rosa y el sauce,” “El clavel del aire blanco,” “Qué linda, la madreselva!” and “Jardin antiguo,” and Ginastera’s “Canción al árbol del olvido” from “Dos canciones.” Brian Zeger will be the pianist. Te Kanawa will also conduct a rare master class at 2pm Tuesday, August 17 focusing on Mozart opera arias in Bennett-Gordon Hall that is free and open to the public. (Dennis Polkow)
August 18, 8pm, Ravinia Festival, Lake-Cook & Green Bay Roads, Highland Park, (847)266-5100. $10-$90.
Dennis Polkow is an award-winning veteran journalist, critic, author, broadcaster and educator. He made his stage debut at age five, was a child art prodigy and began playing keyboards in clubs at the age of fourteen. He holds degrees in music theory, composition, religious studies and philosophy from DePaul University in Chicago. Polkow spent his early years performing and recording in rock and jazz bands while concertizing as a classical pianist, organist and harpsichordist and composing, arranging and producing for other artists. As a scholar, Polkow has published and lectured extensively and taught at several colleges and universities in various departments. As an actor, narrator and consultant, Polkow has been involved with numerous films, plays, broadcasts and documentaries. As a journalist, Polkow helped co-create the experiential Chicago Musicale and Spotlight, the award-winning tabloid arts and entertainment section of the Press Publications chain of newspapers, which he later edited. He also created and ran the nationally recognized journalism program at Oakton College and was faculty advisor to its award-winning student newspaper; many former students went on to major media careers, including Channel Awesome’s the Nostalgia Critic. Polkow’s research, interviews, features, reviews and commentaries have appeared across national and international media and he has corresponded from the Middle East, Asia and Africa for the Chicago Tribune. Contact: email@example.com