RECOMMENDED
Following the late-winter release of his impressive “Space Is Only Noise” album (Circus Company), fans of Nicolas Jaar are likely wondering what to expect from his upcoming appearance at SmartBar. Hardly similar to previous adventures in tech-house, Jaar’s latest includes nods to jazz, blues, R&B and ambient breakbeat, resulting in compositions that place him closer to James Blake than Richie Hawtin on the electronic-music continuum. Rest assured that Jaar is also aware of the conundrum this presents, particularly as a touring artist associated with dance music. His slow-burn approach proceeds from the downtempo aesthetic, to which he adds effect-laden layers of bass, instrumentation and vocals. What results could be deep house, jazz-fueled breakbeats or defined by a lack of percussion. Jaar’s body of work is replete with elements often described as organic, ethereal and melancholy, in order to define efforts that defy traditional genre labels. Jaar’s music sits comfortably in that defiant category for his interest in and talent for composing disparate, yet sonically intriguing elements. As such, there is little need to discuss his use of Ray Charles’ samples or what his album says about the state of electronic music. (John Alex Colón)
March 25 at SmartBar, 3730 North Clark, (773)549–0203. 10pm. $10 advance, $12-$15 door.
Related Stories
- Last Punks Standing: A Preview of Mekons at Hideout Mekons have endured by refusing to adhere to anyone's ideas regarding what is and isn't punk rock (which is in and of itself a defiantly punk attitude).
- Especially For You: A Preview of the Smithereens at the Memorial Opera House Serious music scholars all, the Smithereens distilled their musical loves into something that ultimately sounded like nobody but them. Diken points to Gary Lewis and the Playboys as an influence; it’s worth noting that the studio cats who played on those records—immortal pop tunes like “Count Me In” —included Leon Russell and drummer Hal Blaine.
