RECOMMENDED
It’s a nice treat that Loop has reunited to tour for the first time in twenty-three years. That the British band is making an appearance in Chicago is the cherry on top. The crew were contemporaries of Spacemen 3 in the late eighties, both bands played an unruly mix of psychedelic-punk-krautrock. These groups are the reason come-down music as beautiful as Slowdive exists, and why a shoegaze scene became a reality. Loop is known for being an incredibly loud and intense live act, which is easy to assume the moment any of their recordings are played; the urge to turn it up is overwhelming. Distorted electricity cascades down the back of a perfectly synced rhythm section, vocals blurring in and out of lushly layered guitars—“Heaven’s End” is right, this is the perfect blend of sacred and profane. Since their dissolution in 1992, founder Robert Hampson has strayed from the guitar, both in his solo work and the electronic experimentations of Main, which now find their home at the ambitious Editions Mego label. In recent interviews, Hampson has insisted that the Loop reunion won’t last, and given their general avoidance of festival dates thus far, appearances that would surely pay far more than a small club gig, he’s easy to believe. The exception is the big festival booked at the end of November, Loop’s final tour date, a popular ATP “holiday camp” affair that the band is curating, the last of its kind according to the organizers. The spirit of the reunion will culminate in a sentimental send-off, which is something Loop deserved but didn’t receive the first time they called it quits. Supported by the bands that they’ve hand-selected, in their home country, Loop will leave behind a legacy of recordings that are the blueprint for a unique kind of unrestrained rock ’n’ roll. (Kenneth Preski)
April 27 at Bottom Lounge, 1375 West Lake, (312)666-6775. 8pm. $16. 17+.
Related Stories
Art Over Stardom: A Preview of Sloan at the Bottom Lounge Making power pop usually means consigning one’s career to a specific corner of the pop landscape, and a comparatively small piece of the commercial pie. Sloan ignores the labels and simply goes about the business of writing catchy songs with sharp hooks.- Fever Pitch: A Preview of Guided by Voices at the Bottom Lounge Robert Pollard’s lyrics can sometimes seem as if the words were chosen at random and stitched together in similarly wanton fashion. Album titles only reinforce that notion: how else to explain 1993’s “Vampire on Titus,” 2003’s “Earthquake Glue” or 2014’s “Motivational Jumpsuit”? And for just the right off-kilter cherry on top, Pollard sometimes sings it all in a vaguely faux-British…
- Last Punks Standing: A Preview of Mekons at Hideout Mekons have endured by refusing to adhere to anyone's ideas regarding what is and isn't punk rock (which is in and of itself a defiantly punk attitude).
- Still Breathtaking: A Preview of Sting at Ravinia Festival Sting's solo catalog boasts more than a dozen studio albums. He may not rack up the hit singles like he once did, but he remains a compelling writer, musician and performer.
- Never Give Up: A Preview of Fantastic Negrito at Martyrs' When Fantastic Negrito emerged onto the music scene in 2015, he looked to all the world like a new, emerging artist. In fact the man born Xavier Dphrepaulezz—winner of that year’s Tiny Desk Contest for his song and video “Lost in a Crowd,” which showcase a sound that builds upon the blues, but didn’t conform to most people’s ideas about…
- Shock Value: A Preview of Last Fantastic Nasty at Quenchers I get the sense that Last Fantastic Nasty are still in that “figuring who we are” phase, where you’ve realized you can get attention by shocking people, but you start thinking long and hard about whether or not you want to. And they do have the musical chops to do well: the songs are metallic and complicated and compelling, even…
