Speedy Ortiz kicked off Sunday’s Blue Stage schedule with a burst of scrappy garage rock chords. As Sadie Dupuis sang the verses in an almost understated manner, the songs occasionally loped into off-kilter rhythms, bringing to mind the early music of Liz Phair. The three guys in this band kept the music charging forward, but the focus was all on Dupuis, whose voice rose to pleading peaks in the refrains of her songs. Whenever the time came for an instrumental break, she seemed to revel in stepping back from the mic and whipping her hand across her guitar strings. (Robert Loerzel)
Solo Survivor: James Swanberg Navigates the Live Music Shutdown “The responsibility of having a drummer or a bassist would really stress me out,” says Swanberg. “My stress level compared to a traditional band, is a lot smaller, and I’m fortunate for that.”
Still Breathtaking: A Preview of Sting at Ravinia Festival Sting's solo catalog boasts more than a dozen studio albums. He may not rack up the hit singles like he once did, but he remains a compelling writer, musician and performer.
[…] My photos of Speedy Ortiz’s performance on Sunday, July 20, in Union Park during the third day of the Pitchfork Music Festival. (My review of the set is on Newcity’s website.) […]
[…] My photos of Speedy Ortiz’s performance on Sunday, July 20, in Union Park during the third day of the Pitchfork Music Festival. (My review of the set is on Newcity’s website.) […]