Most everything about Margaret Glaspy’s musical career has been unconventional. Born in a very small and somewhat isolated town on California’s Pacific Coast, Glaspy got her start playing fiddle in school band. The product of a musical family, she eventually took up other instruments, most notably guitar, and began writing her own songs. She earned a scholarship to Boston’s famed Berklee College of Music, but lasted only as long as the scholarship’s funds did: one semester. She remained in town and involved herself in the music scene there. Since 2010 she has been based in New York City.
Glaspy gained tour experience opening for Lucius, Milk Carton Kids and Rayland Baxter. Between 2012 and the following year she self-released a pair of EPs, “Homeschool” and “If & When.” She signed with ATO and hit the road as a touring act in early 2015, months ahead of the release of her debut album, “Emotions and Math.”
But touring as a virtual unknown—one without a full-length album to sell at the merch table—didn’t faze her in the least. Once “Emotions and Math” hit the streets in June, its mix of crunch rock and singer-songwriter stylings won over critics, earning her comparisons to Elliott Smith, Joni Mitchell and early seventies singer-songwriters.
Glaspy’s approach may be built in part on the confessional singer-songwriter model, but her musical style has more in common with PJ Harvey and other like-minded, pleasingly abrasive and forthright female artists. Not yet thirty, Glaspy seems well-positioned for a lengthy and creatively fruitful career. (Bill Kopp)
January 29, 7pm at Schubas Tavern, 3159 North Southport, (773)525-2508; $17.
With a background in marketing and advertising, Bill Kopp got his professional start writing for Trouser Press. His more than 2,500 interviews, essays, and reviews reflect Bill’s keen interest in American musical forms, most notably rock, jazz and soul. His work features a special emphasis on reissues and vinyl. Bill’s work also appears in many other outlets both online and in print. He also researches and authors liner notes for album reissues, and co-produced a reissue of jazz legend Julian “Cannonball” Adderley’s final album. His first book, “Reinventing Pink Floyd,” is due from Rowman & Littlefield in February 2018.