MTV (younger readers note: that used to stand for Music Television) seemed custom made for an artist such as Adam Ant. The British music personality, born Stuart Goddard, had just the right mix of visual impact and musical appeal to thrive in the early 1980s MTV era.
His band, Adam and the Ants, was in fact a product of the punk era; the group first came together in 1977 at a London gig by Siouxsie and the Banshees. Adam and the Ants were tangentially connected to the Sex Pistols; their first manager was an employee at Malcolm McLaren’s SEX shop. McLaren himself hired away Ant’s entire band to form Bow Wow Wow; the band was reconstituted shortly thereafter with an all-new lineup backing the vocalist.
It was that second lineup that struck gold with the second album credited to Adam and the Ants, 1980’s “Kings of the Wild Frontier.” Ant’s grab-bag sartorial choices (falling loosely into the so-called New Romantic movement) worked together to give him an instinctive image: part American Indian, part gypsy, part pirate. Whatever he was supposed to be visually, he and his band captured the early eighties zeitgeist, scoring major hits in the U.S. and the U.K.
The group’s third album, “Prince Charming,” followed almost exactly one year later; it was not nearly the hit that “Kings of the Wild Frontier” had been, though the video for “Stand and Deliver” was in heavy rotation on MTV. Reviewers were not kind to “Prince Charming,” and it would be the final release credited to Adam and the Ants. Within a few months after the album’s release, Ant disbanded the group.
But most listeners wouldn’t know the difference; he resurfaced soon thereafter as a solo artist, scoring the massive hit single “Goody Two Shoes.” He would release three albums in the 1980s, and two more in the first half of the 1990s.
He went on to work steadily as an actor, earning a long list of credits in film and onstage, but returned to music in the second decade of the new century, taking full advantage of eighties nostalgia. His 2013 album, “Adam Ant is the Blueblack Hussar in Marrying the Gunner’s Daughter,” was well-received by critics and sold well in the U.K. Though he teased fans with news of a followup album as early as fall 2014, “Bravest of the Brave” is currently scheduled for release in 2018. (Bill Kopp)
January 31, 8pm at the Vic Theatre, 3145 North Sheffield, (773)472-0449; $25-$135 (sold out).
With a background in marketing and advertising, Bill Kopp got his professional start writing for Trouser Press. His more than 2,500 interviews, essays, and reviews reflect Bill’s keen interest in American musical forms, most notably rock, jazz and soul. His work features a special emphasis on reissues and vinyl. Bill’s work also appears in many other outlets both online and in print. He also researches and authors liner notes for album reissues, and co-produced a reissue of jazz legend Julian “Cannonball” Adderley’s final album. His first book, “Reinventing Pink Floyd,” is due from Rowman & Littlefield in February 2018.
For “Want” of a Change: A Preview of Rufus Wainwright at Ravinia Park Rufus Wainwright isn’t the first singer-songwriter to reinterpret earlier work through an orchestral lens. And much of Wainwright’s third and fourth albums, “Want One” and “Want Two”—whose twentieth anniversaries are the prompt for this new tour—is fully scored. But when Wainwright hits the Pavilion stage at Ravinia tonight, the Chicago Symphony Orchestra will be behind him.
Cooling It: A Preview of Colleen Green at Cole’s Bar When Green strums power chords or chiming notes on top of her backing track, you might think you’re at Ramones karaoke night and Madonna is taking her turn.
Brutal Finesse: A Preview of King Crimson at Ravinia There have been few new compositions from King Crimson these past two decades, but the live arrangements of songs from its catalog are often strikingly different than the recorded versions.
