Almost sixty years into her career, the original bad girl of rock ‘n’ roll still wails, growls, whoops and purrs.
The piercingly personal folk-rocker is settling into her second decade as a defining talent.
The garage-rock icon has kept it stripped-down lately—the better to reveal killer axe and vocal chops.
TATSU AOKI’S MIYUMI PROJECT
Asian and African influences thrillingly intersect in Chicagoan Aoki’s ongoing venture.
Seems like only yesterday she was a teen dancer on “Soul Train”; now she’s an elder stateswoman of R&B.