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Elizabeth Jakaitis

A man with a bald head and beard, wearing a blue shirt, sits in front of a black mantle holding an acoustic guitar. Text above reads: Max Subar Anything Could Be.

by Elizabeth Jakaitis | July 16, 2026

Max Subar’s “Anything Could Be” Makes the Case for Hope Rich with acoustic guitar, fiddle, pedal steel and vivid lyrical imagery, “Anything Could Be” embraces the classic singer-songwriter tradition with warmth and originality.

A person with wavy brown hair, wearing large dark-rimmed glasses and a white textured shirt, stands against a plain light background, looking directly at the camera with a neutral expression.

by Elizabeth Jakaitis | June 25, 2026

Javier Reyes Gives Soft-Focus Indie Rock an Electronic Pulse on “Shark” Old voice memos, impulsive collaborations and a willingness to follow hunches shape Javier Reyes’ new solo album.

Three young people sit close together outdoors on a cloudy, foggy day, with water in the background. They are dressed in jackets and appear relaxed, smiling and looking at the camera.

by Elizabeth Jakaitis | June 23, 2026

Widemouth Finds Meaning in the Quiet Details on “No Gasoline” On their debut album, Chicago band Widemouth finds meaning in friendship, memory and the unfinished business of growing older.

A woman with wavy blonde hair stands in front of an open car trunk, wearing a black leather jacket, denim shirt, and jeans, with her hands in her pockets. Steps and a red door are visible in the background.

by Elizabeth Jakaitis | June 11, 2026

Elizabeth Moen Is Still Making It With her sharp new single “Renaissance Man” arriving this month and a new album on the way, Elizabeth Moen reflects on record deals, creative survival and leaning into community within Chicago’s indie scene.

A person wearing a black hood and a white mask with simple, dark eye holes and vertical mouth slits stands on a beach with waves in the background.

by Elizabeth Jakaitis | May 14, 2026

Waiting for Brighter Days with Hazel City On “goblynmarkytt,” Hazel City—the solo project of Twin Peaks’ Clay Frankel—holds onto hope just as Twin Peaks returns to Thalia Hall this week for an eight-night run.

A magazine cover shows a mans face on the right half and a wood texture on the left. The man has short dark hair and a beard. The text NEWCITY OCTOBER 2021 appears in the upper right corner.

October Issue
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