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Rock

A DJ wearing a hat performs under colorful, arched lights in a dark, crowded venue. The DJs arms are raised, and the vibrant lighting creates a lively party atmosphere.

by Todd Hieggelke | August 25, 2026

Music Top 5: September 2026

Four men pose in front of a door marked 20, two standing on either side, one standing in the center with hands on hips, and one crouching in front; the image is in black and white.

by Craig Bechtel | August 18, 2026

Dare Them To Vanish: Fig Dish Revisits “When Shove Goes Back To Push” Nearly thirty years after its release, the Chicago band's prescient sophomore album finally gets its due with a first vinyl pressing.

by Craig Bechtel | August 4, 2026

Neptune’s Core Expands Their Universe With “Pivot” The Chicago band on creating their debut full-length album, how their sound has evolved from earlier releases and why they almost changed the name of the band.

A man wearing sunglasses and a brown shirt plays an electric guitar on stage in front of a brick wall, with a microphone stand nearby.

by David Witter | July 21, 2026

Chicago Musicians Unite to Perform for Immigrant and Refugee Rights “Songs of Protest, Sounds of Freedom” was organized by Space co-owner Dave Specter, who was driven to action by ICE's recent presence in Chicago communities.

A man with a bald head and beard, wearing a blue shirt, sits in front of a black mantle holding an acoustic guitar. Text above reads: Max Subar Anything Could Be.

by Elizabeth Jakaitis | July 16, 2026

Max Subar’s “Anything Could Be” Makes the Case for Hope Rich with acoustic guitar, fiddle, pedal steel and vivid lyrical imagery, “Anything Could Be” embraces the classic singer-songwriter tradition with warmth and originality.

A person with wavy brown hair, wearing large dark-rimmed glasses and a white textured shirt, stands against a plain light background, looking directly at the camera with a neutral expression.

by Elizabeth Jakaitis | June 25, 2026

Javier Reyes Gives Soft-Focus Indie Rock an Electronic Pulse on “Shark” Old voice memos, impulsive collaborations and a willingness to follow hunches shape Javier Reyes’ new solo album.

A person in a red sweater, black skirt, and boots sits slouched in an office chair amid tangled wires and broken computer equipment on the floor, against a wall with exposed cables.

by Teddy Sandler | June 16, 2026

Kim Gordon Is Still Trailblazing On June 23, Gordon makes an appearance at the Metro, where she will write the next chapter for what artistic rebellion is.

A person wearing a long, white coat crouches on a dark beach at night, illuminated by blue and soft white light, with waves and a cloudy sky in the background.

by Joshua Bohnsack | May 5, 2026

Trusting Her Voice: Gia Margaret Is “Singing” Again The Chicago native discusses her new album, her songwriting approach and collaboration with other artists.

Four young adults stand inside the open doorway of a silver subway train. Three wear dark clothing, while one wears a bright red jumpsuit. They face the camera, posing together under fluorescent lighting.

by Dylan Weinert | April 21, 2026

Chicago Band Friko Makes “Something Worth Waiting For” The local indie rockers celebrate their sophomore album's release with a show at the Metro on April 25.

Close-up of a computer microchip with gold connectors. The words “THE ARRIVALS” are engraved on the top and “PAYLOAD” on the bottom. The chip is set in a teal square casing.

by Craig Bechtel | April 14, 2026

The Arrivals Begin Their Return With “Payload” The veteran Chicago punk band releases their first new album in sixteen years.

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