by Dennis Polkow | June 5, 2025Reflective Return: After Philly Detour, Esteban Batallán Is Back at His CSO “Dream Job”
by Dennis Polkow | May 1, 2025Soaring Soprano: Hannah De Priest’s Journey from Bella Voce Choir to Title Role in “Dido and Aeneas”
by David Witter | March 25, 2025Full of Heart: A Preview of Gary Louris at Old Town School of Folk Music
by Dennis Polkow | February 18, 2025From Playing to Producing Zep: The Chicago Connection Behind “Becoming Led Zeppelin”
by Dylan Weinert | February 6, 2025Life Calendars: An Interview with Sarah Barthel and Josh Carter of Phantogram
by Dennis Polkow | February 4, 2025Father and Child: Composer Son Ed Frazier Davis Remembers Lyric’s Sir Andrew Davis
by Dylan Weinert | January 21, 2025The Charms of Naiveté: An Interview with Pixies Frontman Frank Black
by Dennis Polkow | January 7, 2025Not Red, Hot: Eclectic “Messiah” Offers New Take on Handel, Chicago Style
by Dylan Weinert | December 19, 2024Striving for the Right Balance: An Interview with Carlo Basile of Surabhi Ensemble
by Dennis Polkow | December 12, 2024Maestro Who? Muti on Mäkelä, the Coppola Connection and the State of the Orchestra
